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Alexander Glasunow: Élégie Op. 44

Alexander Glasunow: Élégie Op. 44

A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives, we were able to assess Glazunov ’s autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Élégie is one of the few original works of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Élégie is ideally suited for teaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.

SEK 160.00
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Enrique Granados: Goyescas - Los Majos Enamorados

Enrique Granados: Goyescas - Los Majos Enamorados

The Spanish composer Enrique Granados left a varied and wide-ranging oeuvre, but it is above all his Piano music that is still very much alive today. This Urtext edition of the dazzlingly virtuoso Goyescas – no doubt his best-known Piano composition – now brings a prestigious new work to the Henle catalogue. The suite was written between 1909 and 1911. Its unusual title goes back to the Spanish artist Francisco de Goya, whose paintings inspired Granados . The Goyescas conjure up Spanish life in Goya’s time at the end of the 18th century – gallant and sensual, but also melancholic and dark. The subtitle “Los majos enamorados” (the young lovers) provides a thematic link among the six scenes which depict the joys and sufferings of budding love.

SEK 340.00
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Telemann 12 Fantasias Flt Solo Bk

Telemann 12 Fantasias Flt Solo Bk

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555), it was also mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print, which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

SEK 261.00
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