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Johann Sebastian Bach: Two Part Inventions

Johann Sebastian Bach: Two Part Inventions

**Not for sale outside of the UK and Commonwealth.** All Piano students are familiar with Bach ’s Two Part Inventions – but virtuosos of the Keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an “Instruction” which teaches students and Keyboard lovers to “treat correctly” several parts, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. This edition draws upon all known sources.

SEK 170.00
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Mozart Divertimenti Wind Sextet Bk

Mozart Divertimenti Wind Sextet Bk

**Not for sale outside of the UK and Commonwealth** W. A. Mozart 's Divertimenti For Wind Sextet . Mozart composed the five Divertimenti between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple “light” music, but the pieces’ melodic ingenuity and colourful writing for Winds show it to be chamber music of the highest quality. This Henle Urtext edition is based on the autograph and brings together all five authentic sextets in one practical edition. An ensemble with the standard instrumentation (two Oboes, two Horns and two Bassoons) will discover a true musical treasure. The two Horn parts are provided both in the original transpositions (F/Bb/Eb) and also for Horn in F.

SEK 658.00
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Telemann 12 Fantasias Flt Solo Bk

Telemann 12 Fantasias Flt Solo Bk

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555), it was also mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print, which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

SEK 261.00
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W. A. Mozart: Violin Sonatas - Fragments

W. A. Mozart: Violin Sonatas - Fragments

**Not available outside of the UK and Commonwealth** This Urtext edition contains rewarding discoveries for all lovers of Mozart . Mozart left behind a total of eight unfinished works for Piano and Violin, predominantly discontinued sonata movements. The music is so wonderful that Henle have published a separate volume with this group of works – all of which (aside from a fragment in the appendix of this edition) have been completed so that they can be performed. They not only include the familiar completed versions by Maximilian Stadler but also new ones by Robert D. Levin. He has contributed five, each of which is full of Mozartian spirit. A preface with a critical report presents the facts in detail and incorporates the most recent scholarly findings. Benjamin Schmid and Ariane Haering have provided fingerings for this edition that is in every sense unique.

SEK 441.00
1

Franck Sonata Pf/Vln A Maj Vlc/Pf Bk

Franck Sonata Pf/Vln A Maj Vlc/Pf Bk

**Not for sale outside of the UK and Commonwealth** César Franck 's Sonata For Piano And Violin In A . Urtext edition for Cello. Unlike some of his other late works, Franck ’s Violin Sonata (HN293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for Cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellist Jules Delsart, who had heard a performance of the sonata in Paris in December 1887, was so delighted by it that he asked Franck ’s permission to make a transcription of the Violin part for his own instrument. Delsart remained close to the original; he left the Piano part unaltered and transposed the Violin part only where necessary and appropriate into the lower register.

SEK 345.00
1

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

**Not for sale outside of the UK and Commonwealth.** Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the Piano part.

SEK 436.00
1

Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Skrjabin ten complete Piano sonatas offer a fascinating insight into the Russian composer’s stylistic development. While his first works still fully reflect the late-romantic tradition, the late works keep bursting the bounds of tonality. The boldly outlined, two-movement Fourth Sonata marks a turning point, for it evokes the world of the “Poème de l’extase” with its mystical atmosphere hovering between ethereal rapture and ecstatic flight. The publication of opus 30 means that all of Skrjabin ’s sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow – an invitation to all pianists to plunge into this unique cosmos.

SEK 170.00
1

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

While he was still in Bonn, perhaps in 1792 the year he departed for Vienna, Beethoven wrote this Duo for Violin and Violoncello . We do not know whether he ever completed his work as only the beginning of a fast sonata movement has survived. It is on a page in a collection of sketch leaves that is today known as the “Kafka Miscellany”. Robert D. Levin has completed this fragment in the same style and thus for the first time it is in a version that can be performed. Our edition contains two performance scores of this lively showpiece, thus guaranteeing an optimal duo experience. A welcome addition to the repertoire.

SEK 170.00
1