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Frédéric Chopin: Scherzo B Flat Minor Op. 31

Frédéric Chopin: Scherzo B Flat Minor Op. 31

Chopin gave the “scherzo” a character all of its own, and his second Scherzo is probably the best known of the four works that he composed in that genre. In contrast to the first Scherzo, which survives only in its first editions, we are fortunate in that manuscript material is also extant for the second. These multitude sources are complemented by printed copies once belonging to Chopin ’s pupils that contain his own annotations, and which have been newly evaluated for this revised Henle Urtext edition. Footnotes provide information on authorised variants, and in addition to the report printed in the edition itself, a detailed critical report is available on the Internet with in-depth information for those keen to know more about the history of the sources.

SEK 155.00
1

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

This Trio’s unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for the composer’s mother, recently deceased, to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn, and bestowed several of his most inspired melodies on the instrument. Horn players justifiably adore this Trio op. 40, and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the New Brahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also provided for the alternative scoring authorised by Brahms (with viola or cello instead of horn).

SEK 404.00
1

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Study Score)

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Study Score)

Leos Janácek 's Mládí (Youth) Suite for Wind Instruments. Study score for Flute/Piccolo, Oboe, Clarinet (B flat), Horn (F), Bassoon and Bass Clarinet (B flat). Leoš Janáček composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the definitive musical text. For this Urtext edition – a cooperation with Universal Edition Wien – Jiří Zahrádka from the Janáček-Archiv in Brno succeeded in brilliantly surmounting this difficulty: he consults all of the handwritten sources for the edition for the first time and is thus able to give exact instructions, for instance regarding the numerous tempo variants.

SEK 261.00
1

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Parts)

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Parts)

Leos Janácek 's Mládí (Youth) Suite For Wind Instruments. Parts for Flute/Piccolo, Oboe, Clarinet (B flat), Horn (F), Bassoon, Bass Clarinet (B flat). Leoš Janáček composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the definitive musical text. For our Urtext edition – a cooperation with Universal Edition Wien – Jiří Zahrádka from the Janáček-Archiv in Brno succeeded in brilliantly surmounting this difficulty: he consults all of the handwritten sources for the edition for the first time and is thus able to give exact instructions, for instance regarding the numerous tempo variants.

SEK 388.00
1

Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of Piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. This edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms ’ complex cosmos.

SEK 165.00
1

At The Piano -Beethoven: 9 Well-Known Original Pieces

At The Piano -Beethoven: 9 Well-Known Original Pieces

Beethoven’s 32 piano sonatas are the “New Testament” of music, according to Hans von Bülow. Our selection here does not take things quite so solemnly, because we have also taken the opportunity to show the more “worldly” side of the composer, with dances, bagatelles, the unusual character piece “Lustig und traurig” (“Happy and sad”), and of course the indestructible “Für Elise”. As usual in our series “At the piano”, all the pieces are arranged progressively from easy to medium level of difficulty. And you do not have to be in awe of Beethoven’s piano sonatas either: the highly Classical sonata in G major (essentially a sonatina) offers an ideal introduction to the many-facetted world of Beethoven’s sonatas. In contrast to this, we also show Beethoven the “poet at the piano”, with the first movement of his “Moonlight” Sonata in c-sharp minor, along with the funeral march from the Sonata in A-flat major – visionary creations that already point far ahead into the world of Romanticism.

SEK 234.00
1