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Franz Joseph Haydn: Streichquartette Heft X Erdody-Quartette Op. 76

Franz Joseph Haydn: Streichquartette Heft X Erdody-Quartette Op. 76

“Masterly and full of new ideas”: thus the Swedish ambassadorial secretary Silverstolpe when he first heard these pieces in 1797. Haydn ’s friend, the music historian Charles Burney, reported in 1799 that he had “never taken greater pleasure in instrumental music”. Our new edition of these six works, including the famous “ Emperor Quartet ”, follows the text of the complete edition prepared by the Haydn Institute in Cologne. Both the study edition (HN 9214) and the set of parts (HN 214) have highly informative notes on the source materials and alternative readings. Fold-out pages in the parts allow for optimum page turns.

SEK 621.00
1

Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73 (Version For Cello)

Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73 (Version For Cello)

The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet, they were accompanied by alternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

SEK 202.00
1

Franz Joseph Haydn: String Quartets Volume X op. 76 Nr. 1-6

Franz Joseph Haydn: String Quartets Volume X op. 76 Nr. 1-6

“Masterly and full of new ideas”: thus the Swedish ambassadorial secretary Silverstolpe when he first heard these pieces in 1797. Haydn ’s friend, the music historian Charles Burney, reported in 1799 that he had “never taken greater pleasure in instrumental music.” Our new edition of these six works, including the famous “ Emperor Quartet ,” follows the text of the complete edition prepared by the Haydn Institute in Cologne. Both the study edition (HN 9214) and the set of parts (HN 214) have highly informative notes on the source materials and alternative readings. Fold-out pages in the parts allow for optimum page turns.

SEK 319.00
1

Robert Schumann: Fantasy Pieces for Piano and Clarinet (or Violin or Violoncello) op. 73 (version for Violin)

Robert Schumann: Fantasy Pieces for Piano and Clarinet (or Violin or Violoncello) op. 73 (version for Violin)

The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet, they were accompanied by alternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

SEK 202.00
1

Camille Saint-Saëns: Romances - Horn And Piano (Violoncello Version)

Camille Saint-Saëns: Romances - Horn And Piano (Violoncello Version)

Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but ? as the term Romance suggests ? short ?Songs without words?. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. The first editions even also had an alternative part for Violoncello, on which this edition is based.

SEK 229.00
1

Johannes Brahms: Violin Concerto In D Major Op.77 - Piano Reduction

Johannes Brahms: Violin Concerto In D Major Op.77 - Piano Reduction

Brahms' only Violin concerto was given a very warm reception by his contemporaries and has been an important piece in the Violin repertoire ever since. It bears witness to Brahms' fruitful collaboration with Joseph Joachim, who contributed a cadenza. The composer's original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms Complete Edition. The appendix also contains an alternative version of Joachim's cadenza that to date has not been published in a practical edition. Alongside Joachim's original fingerings and bowings there are also fingering suggestions by Frank Peter Zimmermann.

SEK 330.00
1

Robert Schumann: Fairy Tales Op.132

Robert Schumann: Fairy Tales Op.132

No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled "Romances", was merely supposed to conjure up a poetic and fairytale world. Presumably inspired by Mozart?s "Kegelstatt" Trio K. 498, Schumann occupied himself intensively with plans for a work for this distinctive combination of instruments, whose "unique effect" enthused him. Yet almost three years passed before he sent a publisher these works that he had "written with great pleasure". The first edition contained a violin part as an alternative to the clarinet. As this part was authorized by Schumann, it is also included in this Urtext edition.

SEK 330.00
1

Robert Schumann: Romances For Oboe (Or Violin Or Clarinet) And Piano Op. 94 (Version For Clarinet)

Robert Schumann: Romances For Oboe (Or Violin Or Clarinet) And Piano Op. 94 (Version For Clarinet)

Robert Schumann in fact composed just one work for the clarinete, namely the “Drei Fantasiestücke” op. 73 for clarinet and piano of February 1849. But the “Drei Romanzen” op. 94 for oboe, written at the end of that same year, were marketed with solo parts for clarinet and for violin too. Clarinettists are certainly delighted that G. Henle Verlag is following this principle of alternative scoring. The manuscript that Robert gave to his wife Clara in 1849 as a Christmas gift does not survive. Instead, autograph sketches have been consulted for our Urtext edition, and these have enabled correction of some irregularities in the 1851 first edition. The editor’s preface and commentarygive extensive information on textual questions.

SEK 202.00
1

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the Double Bass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.

SEK 372.00
1

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: "I will also arrange the clarinet part for viola, so that the work can also be played thus" (letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - "only I can do this work!" The viola?s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.?

SEK 314.00
1

Robert Schumann: Five Pieces In Folk Style Op.102 - Violin Version

Robert Schumann: Five Pieces In Folk Style Op.102 - Violin Version

As with most of Schumann's duos for solo instrument and piano, the "Pieces in Folk Style", originally for violoncello and piano, were also published for an alternative instrument. The publisher expected greater circulation and a higher turnover with an additional edition for violin. Apart from a few changes necessitated by the instrument, there was a series of substantial ones in nos. 1 and 5, which partly also concern the piano part. Thus we can be confident that the version for violin was undertaken by Schumann. Now it is available in an Urtext edition for the very first time! Ernst Schliephake has provided practice-orientated fingerings and it is thus excellently suited for the teaching of pupils of medium ability upwards.

SEK 250.00
1

Robert Schumann: Scherzo, Gigue, Romance and Fughetta op. 32

Robert Schumann: Scherzo, Gigue, Romance and Fughetta op. 32

The Henle catalogue contains almost all of Schumann’s works for piano in top quality editions. With the publication of op. 32 we are filling an important gap. In or-der to help his “Neue Zeitschrift für Musik” to become more successful, Schumann gave it a practical use: he enclosed the music for short works. The Bach-like “Gigue” and “Fughetta” also appeared here. The “Scherzo” and “Romance” are on the other hand Romantic forms. It was only later that he put the pieces in their current sequence. The renowned Schumann pianist Leif Ove Andsnes kindly allowed us to use his fingerings in our edition. It is a compelling alternative to the frequently used albums in teaching. And areal discovery for pianists who want to play Schumann’s magnificent music.?

SEK 165.00
1

Ludwig Van Beethoven: Piano Sonata In E Flat Op.31 No.3

Ludwig Van Beethoven: Piano Sonata In E Flat Op.31 No.3

For half a century Henle’s edition of the Beethoven sonatas – the “New Testament” of the Piano repertoire – has been universally recognized as the standard starting-point for any serious study of these works. Now, with the publication of the three Op. 31 Sonatas in revised separate editions, we are raising the yardstick another notch: no less a musician than the pianist and conductor Murray Perahia has agreed, for the first time ever, to publish his fingerings and, as co-editor, to confide his profound insights into the sources to music lovers everywhere. The musical text has been prepared in strict accordance with the rules of modern Urtext editing, and the volume is rounded off with a lengthy and informative preface and detailed notes on sources and alternative readings.

SEK 133.00
1

Felix Mendelssohn Bartholdy: Piano Trios

Felix Mendelssohn Bartholdy: Piano Trios

After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the opportunity to describe the composer as the “Mozart of the 19th century”, whereby he was obviously alluding to the mixture of Classical and Romantic stylistic elements. The musical text of these two famous Trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a Flute part for the alternative version of op. 49 (Flute instead of Violin) that Mendelssohn himself made.

SEK 621.00
1

Johannes Brahms: Sonatas For Piano And Clarinet (Or Viola) Op.120, 1 and 2 (Version For Viola)

Johannes Brahms: Sonatas For Piano And Clarinet (Or Viola) Op.120, 1 and 2 (Version For Viola)

We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of opus 120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: we were able to consult the autograph for the first time- the newly set piano score now contains the viola part- and viola players can benefit fromfingerings and bowings by Tabea Zimmermann in the solo part.

SEK 345.00
1

C.P.E. Bach: Gamba Sonatas Wq 88, 136, 137, Edition for Gamba (Viola)

C.P.E. Bach: Gamba Sonatas Wq 88, 136, 137, Edition for Gamba (Viola)

Like his father, Carl Philipp Emanuel Bach wrote three sonatas for viola da gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent viola da gamba player in the court orchestra an opportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo, Bach followed his father?s example as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of the harpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola, a practice that has been verified in the sources of the time. This version is available in our Urtext edition as an alternative part.?

SEK 611.00
1

Béla Bartók: Romanian Christmas Songs

Béla Bartók: Romanian Christmas Songs

Bartók’s "Romanian Christmas Songs" are based on folk melodies that originated in a pagan celebration of the winter solstice, and which he felt gave “the impression of a fiery, war-like type of song, rather than a pious and religious one”. Nevertheless, he chose 20 melodies from this collection of “colinde” and published them under the title of “Christmas Songs”. In the first edition of 1918 they were conceived for children’s hands and so were published “without octaves”; but in his revised edition of 1936, which we present here, Bartók added an appendix featuring alternative “concert versions”, confirming that these miniatures are also perfectly suited for public performance. This Urtext edition is based on that of the Bartók Complete Edition, and for the first time integrates these concert variants directly into the musical text. We also offer the original melodies and translations of the texts of these colinde to provide an insight into the origins of this rather different kind of Christmas music.

SEK 224.00
1

Claude Debussy: Suite Bergamasque

Claude Debussy: Suite Bergamasque

The Suite Bergamasque is one of the most famous Piano suites by Claude Debussy . Debussy wrote the first version of it in 1890, but the final version wasn’t finished or published until 1905. The suite recalls rococo decorousness with a modern cynicism and puzzlement, and contains one of Debussy 's most popular pieces, Clair de Lune (ca. 6.40 minutes). The other three movements are: Prelude (ca. 6 minutes), Menuet (ca. 5.15 minutes) and Passepied (ca. 5.30 minutes). Every movement in the suite reflects Debussy ’s non-traditional, ‘impressionist’ style, largely influenced by symbolism. According to the traditional belief Suite Bergamasque is a basic reflection of end of the century French symbolist poet, Paul Verlaine’s Fêtes galantes (Gallant parties). This Urtext edition takes the original edition as its basis and the comments at the end of it provide detailed information on the sources and alternative readings. A preface by François Lesure is also included. Just as most other Piano works of Debussy , Suite Bergamasque is a challenging, but rewarding piece. Movements may be played separately or together.

SEK 160.00
1

J. S. Bach: French Suites BWV 812-817

J. S. Bach: French Suites BWV 812-817

Johann Sebastian Bach composed three great cycles of suites that belong to the fundamental canon of Piano literature: the Partitas and the so-called English and French Suites . It is the French Suites that have long been by far the most popular – and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach ’s circle of pupils, and these contain many presumably authentic variants. This Henle Urtext Edition has been edited by Ullrich Scheideler, who explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. This opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext Edition has been completely revised. It enables pianists and Bach enthusiasts alike to re-discover Bach ’s universe for themselves. This edition includes fingering by Michael Schneidt.

SEK 250.00
1

J. S. Bach: French Suites BWV 812-817

J. S. Bach: French Suites BWV 812-817

Johann Sebastian Bach composed three great cycles of suites that belong to the fundamental canon of Piano literature: the Partitas and the so-called English and French Suites . It is the French Suites that have long been by far the most popular – and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach ’s circle of pupils, and these contain many presumably authentic variants. This Henle Urtext Edition has been edited by Ullrich Scheideler, who explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. This opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext Edition has been completely revised. It enables pianists and Bach enthusiasts alike to re-discover Bach ’s universe for themselves.

SEK 250.00
1

Robert Schumann: Complete Piano Works Volume 4 - Henle Urtext

Robert Schumann: Complete Piano Works Volume 4 - Henle Urtext

On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for Piano solo are appearing as one editorial project.Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection, comprising six volumes as well as study editions in a slipcase. They replace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers, it includes not only all of Schumann's Piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides.Being a complete works collection, a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of "advanced" as a guide to the general proficiency required to play all the pieces.Contents:Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19 Humoresque B flat major op. 20 Novelettes op. 21 Sonata g minor op. 22 Night Pieces op. 23

SEK 611.00
1

Robert Schumann: Complete Piano Works Volume 2 - Henle Urtext

Robert Schumann: Complete Piano Works Volume 2 - Henle Urtext

On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for Piano solo are appearing as one editorial project.Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection, comprising six volumes as well as study editions in a slipcase. They replace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers, it includes not only all of Schumann's Piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides.Being a complete works collection, a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of "advanced" as a guide to the general proficiency required to play all the pieces.Contents:Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8 Carnaval op. 9

SEK 536.00
1