69 resultat (0,17037 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Johannes Brahms: Piano Pieces Op. 118, Nos. 1- 6 (Henle Urtext Edition)

Johannes Brahms: Piano Pieces Op. 118, Nos. 1- 6 (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Johannes Brahms ' Piano Pieces Op. 118 Nos. 1- 6. Henle Urtext edition. When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces Op. 118 –, they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces, and she attested that they contained “a wealth of sentiment in the smallest of dimensions”. Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquillity”. Opus 118 contains two of the composer’s best-known miniatures – the Intermezzo in A major and the Romanze in F major. This volume, based on the musical text in the New Brahms Complete Edition, is highly recommended to all those who wish to immerse themselves in the world of Brahms ' late works.

SEK 176.00
1

Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Alongside his Chaconne for Violin, the ten Chorale Preludes for Organ are Busoni ’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconne for concert performance, the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty, some are suitable for intermediate level players and others for the more advanced pianist. This Henle Urtext Edition is Busoni 's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude, Busoni ’s transcription of “ Aus tiefer Not ”, which is published here for the very first time. With regard to performing its six-part setting, the composer himself spoke of an “extreme performance limit” – but why not judge for yourself?

SEK 367.00
1

Ernest Chausson: Piano Trio In G Minor Op. 3

Ernest Chausson: Piano Trio In G Minor Op. 3

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Ernest Chausson 's Piano Trio In G Minor Op. 3 . Score and parts. Following his early elimination from the Paris Conservatoire's sought-after award for students of composition, the “Prix de Rome”, Ernest Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance, so to speak. During his lifetime the trio remained an insider’s tip amongst those close to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of its time. The Piano Trio In G Minor Op. 3 is closely based on Franck’s principle of the cyclic interleaving of all motives, yet still has dark and melancholy inflections all of its own. The Henle Urtext edition is the first critical edition and is a welcome addition to their collection of French music.

SEK 483.00
1

Johannes Brahms: Hungarian Dances 1-10

Johannes Brahms: Hungarian Dances 1-10

“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies andnot composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances1 10, originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help formastering these complex works.

SEK 234.00
1

Johannes Brahms: Hungarian Dances Nos. 1-10

Johannes Brahms: Hungarian Dances Nos. 1-10

“No opus number” is what Johannes Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies and not composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms ’ best-known compositions. Brahms himself made an arrangement of the dances 1–10, originally for Piano four hands, for solo Piano. Henle are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen ’s fingerings provide the best possible help for mastering these complex works.

SEK 234.00
1

Debussy: La Fille Aux Cheveux De Lin Piano Urtext

Debussy: La Fille Aux Cheveux De Lin Piano Urtext

Debussy intentionally did not place titles at the top of his Préludes for piano (HN 383), published in 1910, but merely wrote them at the end and in parentheses – almost as a belated comment on the piece just played. Nevertheless, no. 8 in the collection, “La Fille aux cheveux de lin” (The girl with the flaxen hair), has become famous in its own right. This image perfectly fits the dreamy graceful music. And ever since, the prelude has been the object of numerous arrangements for other scorings. Our single edition of this much-loved piece contains the Urtext musical text for piano and also includes a detailed preface.

SEK 102.00
1

Claude Debussy: Première Rhapsodie Und Petite Pièce

Claude Debussy: Première Rhapsodie Und Petite Pièce

Originally written for the final year Clarinet examination at the Paris Conservatoire, Debussy ’s “ Première Rhapsodie ” has quickly become a bestseller of the Clarinet repertoire, being a highly impressionistic work that plays marvellously with the timbral possibilities of the Clarinet. Its success was so pervasive that Debussy later arranged the Piano accompaniment for Orchestra, and in this form the rhapsody is today to be heard all around the world. Our edition also contains as a “lollipop” the popular “ Petite pièce ”, an original work of under forty bars that was in fact devised as a sight-reading test.

SEK 271.00
1

Maurice Ravel: Tzigane For Violin And Piano (Henle Urtext Edition)

Maurice Ravel: Tzigane For Violin And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Maurice Ravel 's Tzigane for Violin and Piano. Urtext edition full score. Composed in 1924, there are three versions of this work: with Piano, with Orchestra and with Luthéal, a device for Keyboard instruments to extend the timbre. “Virtuoso piece in the style of a Hungarian rhapsody” – thus reads Ravel ’s entry on Tzigane in the so-called 'Autobiographical Sketch'. Tzigane was inspired by the Hungarian-English violinist Jelly d’Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt’s “Hungarian Rhapsodies”. Work progressed slowly and d’Aranyi only received the music four days before the première – but she still gave a brilliant performance.

SEK 308.00
1

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the Double Bass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.

SEK 372.00
1

Edouard Lalo: Symphonie Espagnole For Violin And Orchestra D Minor Op. 21

Edouard Lalo: Symphonie Espagnole For Violin And Orchestra D Minor Op. 21

The Symphonie Espagnole For Violin And Orchestra , perhaps Lalo ’s best-known composition, is found in the repertoire of violinists everywhere. The première on 7 February 1875 was greeted by storms of applause from the Parisian audience and marked Lalo ’s breakthrough. He wrote the work for his friend Pablo de Sarasate, who played it at his concerts and quickly made it known throughout Europe. This edition is the first to make use of Lalo ’s autograph manuscripts.

SEK 367.00
1

Carl Nielsen: Canto Serioso For Horn And Piano (Henle Urtext Edition)

Carl Nielsen: Canto Serioso For Horn And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Carl Nielsen 's Canto Serioso for Horn in F and Piano. Urtext edition score. The Danish composer Carl Nielsen was one of the most original composers at the turn of the 20th century. Based on the German Romantic tradition he developed his own musical language, especially in his symphonies that are still played very frequently. He also, however, often turned to chamber music settings. Canto Serioso was originally written as an audition piece for the Copenhagen Opera Orchestra, where the position of low Horn player was to be filled. This fairly short work makes the most of the low register and the instrument’s sonorous mid-range, making it a welcome addition to the late Romantic repertoire for Horn.

SEK 165.00
1

Max Reger: Thirty Little Chorale Preludes For Organ Op.135a

Max Reger: Thirty Little Chorale Preludes For Organ Op.135a

Max Reger , the creator of forbiddingly difficult Organ music, could also take a different track. His “ Thirty Little Chorale Preludes “ are intended for semi-professional organists always on the lookout for good Organ chorales for use in Sunday church services. Reger selected the best-known tunes of his day from the Lutheran hymnal. Most of them are still in use today and form excellent additions to modern services. Michael Kube, in a detailed preface, draws a vivid picture of the composer and his superhuman creative powers.

SEK 217.00
1

Georg Philipp Telemann: Viola Concerto In G Major (Henle Urtext Edition)

Georg Philipp Telemann: Viola Concerto In G Major (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's Viola Concerto In G Major . Piano reduction. The Viola is often not credited with being able to take over a soloistic role – but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the Viola as being the “very bowels of music” and stressed that it was not only needed to “flesh out” the Orchestral sound but also as a "concert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister Telemann ". Telemann ’s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of the core repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.

SEK 271.00
1

Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score. At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the Violoncello. He composed his first Cello sonata in December 1872, immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Cello and Piano op. 43 that also appeared in a version for Orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for Cello, Saint-Saëns wanted to write something “easier” that was also suitable as an encore. In this Henle Urtext edition, David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.

SEK 160.00
1

Antonín Dvorák: Sonatina For Piano And Violin In G Op.100

Antonín Dvorák: Sonatina For Piano And Violin In G Op.100

Sonatina In G, Op.100  was written in New York in 1893. Scored for Violin and Piano, it comprises four movements: Allegro Risoluto - Larghetto (Indian Lament) - Scherzo and Trio: Molto Vivace - Finale: Allegro . It was intended for the composer’s children, making the simple melodic lines and unadorned harmonies an accessible favourite of many young violinists. A delightful and rewarding piece, it is perfect for any recital. Antonin Dvorak (1841-1904) was best known for his New World Symphony, composed in the short time he spent in America – the rest of his career was spent in his native Bohemia and the rest of Europe.

SEK 208.00
1