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Bernhard Henrik Crusell: Clarinet Concerto B Flat Op. 11

Bernhard Henrik Crusell: Clarinet Concerto B Flat Op. 11

Following the Henle edition of the Grand Concerto In F Minor Op. 5 (HN 1209), the series of Crusell ’s Clarinet concertos has been expanded to include the one in B flat major op. 11. The Swedish composer was himself a prominent Clarinet virtuoso and the concertos were tailor-made for himself so to speak. Despite being technically very demanding, the Concerto In B Flat Major avoids being overly virtuosic and wins us over with its melodic ingenuity. It is a very welcome addition to the early Romantic repertoire for the Clarinet. The clarinettist Nicolai Pfeffer edited the edition in an exemplary manner, consulting the sole surviving source, the first edition of 1829. Johannes Umbreit was responsible for the study score, which wonderfully fits the hands.

SEK 287.00
1

Frederic Chopin: Berceuse D Flat Major Op. 57

Frederic Chopin: Berceuse D Flat Major Op. 57

Berceuse in D Flat Major was written in the summer of 1843, and is one of Chopin’s most mature and delicate works. It consists of a series of variations on a tender lullaby theme from the composer’s childhood. Somewhat unusually, the variations are uninterrupted; they flow seamlessly from one into the next, sustained by an unchanging Bass ostinato. Frédéric Chopin (1710-1849) was a Polish composer and virtuoso pianist, whose compositional career was spent mostly in Paris. He only wrote music for the Piano, and is best known today for his 12 Etudes and 24 Preludes , a key part of any pianist’s repertoire.

SEK 128.00
1

Wolfgang Amadeus Mozart: Serenade major K. 375 for 2 Clarinets, 2 Horns and 2 Bassoons(with parts for horns E flat and F)

Wolfgang Amadeus Mozart: Serenade major K. 375 for 2 Clarinets, 2 Horns and 2 Bassoons(with parts for horns E flat and F)

Late in the evening, on his name day in 1781, Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flat Major two weeks beforehand and whom he had described as “poor fellows, but who can blow together quite nicely” had now met in the courtyard and were serenading him with his own work. Although it was officially composed for Therese Hickel, in actual fact Mozart mainly wanted to impress Emperor Joseph II, whose chief of the royal chamber music often went to Therese’s house – “That’s the reason why I also put a little effort into it”. Did it really help? At any rate Mozart was appointed imperial chamber composer by Joseph II a few years later.

SEK 367.00
1

Ludwig Van Beethoven: Sextet In E Flat Op.81b - Urtext Parts

Ludwig Van Beethoven: Sextet In E Flat Op.81b - Urtext Parts

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divertimenti intended for court circles ? a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind, his Sextet op. 81b is thus all the more remarkable, standing out on account of the unusual virtuosity of the horn parts. This edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat, it also contains transposed parts in F.

SEK 367.00
1

Wolfgang Amadeus Mozart: Piano Sonata B flat major KV 570

Wolfgang Amadeus Mozart: Piano Sonata B flat major KV 570

Those wishing to get to know Mozart’s gentle, slightly elegiac side should play the opening movement of this lesser-known piano sonata K. 570. The second movement, too, marries the calm strains of horns with a somber melody in C minor. Only in the spirited B-flat major finale (“Allegretto”, in alla breve meter) does the mood shift to restrained gaiety. Strangely enough, this sonata was initially published (posthumously in 1796) as a violin sonata, a version that is not at all hard on the ears. If we didn’t have Mozart’s autograph manuscript of the piano sonata (albeit only in fragments), along with his entry in his own catalogue of works (Vienna, February 1789: “A sonata forpiano solo.”), one might presume that this sonata in B-flat major existed as a genuine pair of twins (with and without violin accompaniment).

SEK 128.00
1

Robert Schumann: Piano Quartet In E Flat Op. 47

Robert Schumann: Piano Quartet In E Flat Op. 47

“In the evening we played Robert ’s E-Flat Major Quartet for the first time … and I was once again truly delighted at this beautiful and so youthful work”, enthused Clara Schumann in 1842. In preparation for this work Schumann had studied String quartets by the Viennese Classical composers. This is why all of the parts in the quartet are treated equally, forming a splendid ensemble. Our edition has an extensive critical commentary on account of the difficult source situation. The fold-out page in the Cello part was designed with music practice in mind. The Piano Quartet and the Piano quintet op. 44, referred to as “sister works”, were both composed in Schumann ’s “chamber music year”. For this reason we were publishing them both in the 2006 “ Schumann Year”.

SEK 494.00
1

Ludwig Van Beethoven: String Quartet E Flat Major Op.127

Ludwig Van Beethoven: String Quartet E Flat Major Op.127

The E-Flat Major String Quartet, Op. 127 , is a key work not only in Beethoven ’s oeuvre but in the entire history of the genre. The first of the late quartets, it "transfers the formal and symbolic aspects of his two major works for Chorus and Orchestra [the Missa solemnis and the Ninth Symphony] to the more intimate domain of chamber music" (William Kinderman). For years, music lovers have been waiting for a new edition based on the scholarly text from the new Beethoven Gesamtausgabe. The wait has paid off! The highly complex source situation was examined for the first time and thus Beethoven ’s "final intentions" are now available in an urtext edition. The set of parts (HN 740) and the score (HN 9740) both come with a detailed preface and editorial notes.

SEK 319.00
1