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Ludwig Van Beethoven: Romanzen Fur Violine Und Orchester Op. 40 And Op. 50

Ludwig Van Beethoven: Romanzen Fur Violine Und Orchester Op. 40 And Op. 50

Beethoven’s Romances for violin and orchestra op. 40 and op. 50 are rewarding solo pieces that demand sovereign technique and artistic sensitivity. Their simple structures with noble melodies and virtuoso embellishments made them popular concert pieces already during Beethoven’s lifetime. In addition to a piano reduction for practical performance, G. Henle here presents a study score. It follows the musical text of the Beethoven Complete Edition and accords with the orchestral material from Breitkopf & Härtel. In his detailed preface, Ernst Herttrich informs us about the genesis and the source situation of the two works.

SEK 117.00
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Claude Debussy: Première Rhapsodie Und Petite Pièce

Claude Debussy: Première Rhapsodie Und Petite Pièce

Originally written for the final year Clarinet examination at the Paris Conservatoire, Debussy ’s “ Première Rhapsodie ” has quickly become a bestseller of the Clarinet repertoire, being a highly impressionistic work that plays marvellously with the timbral possibilities of the Clarinet. Its success was so pervasive that Debussy later arranged the Piano accompaniment for Orchestra, and in this form the rhapsody is today to be heard all around the world. Our edition also contains as a “lollipop” the popular “ Petite pièce ”, an original work of under forty bars that was in fact devised as a sight-reading test.

SEK 271.00
1

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the Double Bass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.

SEK 372.00
1