Moses Fantasy : for Violin And Piano With Analytical Studies

18-page book with 16-page violin part pull-out.

Chaharah (Calligraphy No. 19) : for String Quartet (With Optional Contrabass) Full Score

Châhârgâh (Calligraphy No. 19) for string quartet with optional contrabass may be performed using the Persian Traditional Tuning System. A detailed chart to set the interval measurements is included with the music. Châhârgâh (Calligraphy No. 19) is part of Reza Vali's Calligraphies series, an ongoing cycle of works based on the Persian modal system, the Dastgâh, which he has been composing since 2000. Versions for string quartet and 10 solo string instruments are available from the publisher.

Gavesht: String Quartet No. 5

Like much of Reza Vali's music, this string quartet can either be played with traditional Persian tuning or with a mixture of traditional Persian tuning and the European Equal Temperament Tuning. Performance instructions to help with unique notation and details on the tuning options are included with the music.

Hajiani: Reality Music No. 1 : Flute Solo with Electronics

Chaharah (Calligraphy No. 19) : for String Quartet (With Optional Contrabass)

Da Pacem: Concerto for Cello and Orchestra : Solo with Piano Reduction

Hartke's cello concerto, Da Pacem, takes its title from a Latin hymn that begins Grant peace in our day. It is a reflection on these unsettled and unsettling times. As the work's protagonist, the solo cellist journeys through a considerable variety of musical landscapes. Movements: I. Da Pacem (Fantasia) II. In diebus nostris (Scherzo) III. Quis pugnat pro nobis? (Introduction, Elegy, and Envoi) Commissioned by Oberlin College and Conservatory: the Saint Paul Chamber Orchestra: the Aspen Music Festival, Robert Spano, Music Director and American Composers Orchestra.Hartke's cello concerto, Da Pacem, takes its title from a Latin hymn that begins Grant peace in our day. It is a reflection on these unsettled and unsettling times. As the work's protagonist, the solo cellist journeys through a considerable variety of musical landscapes. Movements: I. Da Pacem (Fantasia) II. In diebus nostris (Scherzo) III. Quis pugnat pro nobis? (Introduction, Elegy, and Envoi) Commissioned by Oberlin College and Conservatory: the Saint Paul Chamber Orchestra: the Aspen Music Festival, Robert Spano, Music Director and American Composers Orchestra.

Two Sonatas, Op. 120, No. 1 & 2 : for Clarinet and Piano

Critical edition with detailed performance notes by Charles Neidich.

Song for Andrew

A memorial work for Andrew Imbrie (7:37): The University of Minnesota Music Ensemble with guest artist Sally Chisholm. Premiere with Young-Nam Kim, Sally Chisholm, The University of Minnesota New Music Ensemble.

Lament

Premiered at Festival at Sandpoint, Idaho. With YoungNam Kim, Sally Chisholm performing.

The Last Possibilities of Light : for Flute and Piano

This Ritornello-Variations for Flute and Piano was commissioned by Conor Nelson with the support of the Office of the Vice Chancellor for Research and Graduate Education of the University of Wisconsin-Madison with funding from the Wisconsin Alumni Research Foundation.

Duo for Flute and Piano

Notable performance with Matthew Dufour, principal flute, Berlin Philharmonic, Orchard Circle, DiMenna Center New York. 2017.

Missa Solemnis: Music from the Vatican : in Honor of Saint Pii for SATB Chorus and Organ Full Score

From Musical America, August 23, 1913, A splendid work is a mass in D by Carlo Giorgio Garofalo, for mixed voices and organ, in conformity with the 'motu proprio' (of Pope Pius X). It is an example of pure melodious counterpoint, written with mastery and abundant inspiration.

Nexus: Sonaspheres 2 : Score and Parts

Written with support from the National Endowment of the Arts. Flute(d AFl, Picc), Viola, Cello, Piano

Elles : for Violin, Alto Saxophone, Horn, and Synth Score and Parts

Inspired by lithographs of Toulouse-Lautrec and commissioned by the Nova Trio. May be performed with slides.

Ensphere: Sonaspheres 3 : Score and Parts

Written with support from the National Endowment of the Arts. Flute, Clarinet, Piano, Perc(1), Violin, Cello

Sinfonietta

A New Juilliard Ensemble commission, Sinfonietta was premiered at Alice Tully Hall, Lincoln Center with Joel Sachs, conducting.

Rush: Concerto for E-flat Alto Saxophone : Solo Part and Piano Reduction

Kenneth Fuch's fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY® Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda.

Rapture

Akademiekonzerte, Berlin at the American Academy in Berlin with Jens Peter Maintz-Violoncello, principal cello of the Deutsche Symhonie Berlin. Stephan Kiefer-Klavier.

The Sky a Silver Dissonance : for Voice and Piano

Written for baritone with piano accompaniment, this poem by e.e. cummings is set to music by Laura Elise Schwendinger and is dedicated to Stephen Rumph.

Divertimento : for Cello Ensemble Full Score

Schifrin's Divertimento is written for cello ensemble with any multiple of 8 players. It was first performed by the International Cello Festival in Beauvais, France.

Rumor

Premiered at IAWM Annual Concert, and performed at the National Museum of Women in the Arts, Wash. D.C. as Co-Winner of IAWM 1997 score search with Stacy Garrop.

Divertissement : for Clarinet, Violin, Cello, and Piano Score and Parts

Divertissement may be described as a jocoserious, quasi-palindromic collage. With strands from Mozart, Liszt, Claude Gervaise and George Rochberg, it has been characterized as a frolicsome romp through music history.

Ce la luna questa sera? (2011 Version)

Ravinia Festival, with the Lincoln Trio, and on Notable Women, a Cedille Records CD release. Piano Trio version premiered by Lincoln Trio, Chicago Composer's Consortium at the Music Institute of Chicago.

Ce la luna questa sera? (2011 Version)

Ravinia Festival, with the Lincoln Trio, and on Notable Women, a Cedille Records CD release. Piano Trio version premiered by Lincoln Trio, Chicago Composer's Consortium at the Music Institute of Chicago.

Chaharah (Calligraphy No. 19) : for 10 Solo String Instruments Score and Parts

Châhârgâh (Calligraphy No. 19) for string quartet with optional contrabass may be performed using the Persian Traditional Tuning System. A detailed chart to set the interval measurements is included with the music. Châhârgâh (Calligraphy No. 19) is part of Reza Vali's Calligraphies series, an ongoing cycle of works based on the Persian modal system, the Dastgâh, which he has been composing since 2000. Versions for string quartet and 10 solo string instruments are available from the publisher.