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Complete Joe Pass

Traditional Music of the British Isles : for Electric Guitar

Traditional Music of the British Isles : for Electric Guitar

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.

SEK 234.00
1

Koko Kanyinda: The Secret Of Congolese Drums

Dossan of Heather

John Miller's Mississippi Fingerstyle Blues Guitar : 1926-1959

John Miller's Mississippi Fingerstyle Blues Guitar : 1926-1959

Perhaps more than any other state, Mississippi has long been linked with the blues, so much so that Alan Lomax referred to it as The Land Where the Blues Began. From the earliest days of recorded blues, and even before that, Mississippi has always abounded with great fingerstyle blues guitarists. So it was that Mississippi fingerstyle blues guitar was the obvious choice for author John Miller’s next book, following up on his earlier releases, East Coast Fingerstyle Blues Guitar and Texas Fingerstyle Blues Guitar. In Mississippi Fingerstyle Blues Guitar, 1926-1959, John Miller has adopted an approach designed to showcase a wide range of the styles of the Mississippi blues guitarists who recorded in the period covered by the book, twenty-seven different guitarists in all, each represented by a single song. And the songs in the book have been selected for variety in the keys and tunings in which the songs were played, too, with a generous helping of songs in four different open tunings as well as songs in D, A, G, E and C in standard tuning. And along with songs by the heavy hitters you’d expect to encounter in such a book — Charlie Patton, Tommy Johnson, Son House, Skip James, Mississippi John Hurt — you’ll encounter pieces by more obscure, though no less expert players, people like The Down Home Boys, Mattie Delaney, Frank Evans, Cat-Iron, and Rosa Lee Hill. Each song in the book is preceded by a brief bio of the person who performed it, a discussion of the song with practical playing tips designed to help you bring the transcriptions to life, the song’s lyrics, and transcriptions presented in both standard notation and TAB. Plus the book includes sound links to the original recorded versions of all of the songs, so you can get the sound of the songs in your head.

SEK 359.00
1

The Bill Ochs Tin Whistle Handbook - for tin whistles, pennywhistles and flageolets in the key of D

The Bill Ochs Tin Whistle Handbook - for tin whistles, pennywhistles and flageolets in the key of D

The age-old sounds of Ireland, England, Scotland and early America come to life with this remarkable book and online audio. This tin whistle book is compatible with all tin whistles, pennywhistles and flageolets in the key of D.   Renowned author/musician Bill Ochs has gone to great lengths to create a package that truly has something for everyone. The lessons are so clear and easy to follow that a complete beginner can learn to play a simple tune at first sitting. Intermediate and advanced players will enjoy exploring this book's exciting collection of traditional music. There are 83 pieces in all - gigs, reels, hornpipes, fife tunes, slow airs, Highland flings, morris dances andlots more.   Each piece is played on the online audio by renowned New York tin whistle teacher, Bill Ochs. An advanced ornamentation tutorial is also included with key of D. Includes access to online audio. For Beginning Players: An Easy-To-Use Learning Method - No previous knowledge of music is required. Using tablature based on the first seven letters of the alphabet, the complete beginner can learn to play a simple tune in a matter of minutes. Then through a specially selected series of folk tunes, beginners are carefully guided through all the basics of playing, one step at a time.   For Intermediate Players: A Great Collection of Traditional Music - Those who already know the basics are sure to enjoy exploring the book's outstanding selection of traditional tunes — rollicking pieces such as The Muckin' O' Geordie's Byre, The Oyster Wives' Rant, Rufty Tufty, Hot Punch, For the Sakes of Old Decency and many, many more. The tunes have been specially chosen to demonstrate the wide range of the tin whistle's musical possibilities.   For Advanced Players: A Clear & Concise Guide to Ornamentation - For players who want to dress up their music, here's a chance to learn the secrets of all those cuts, rolls, crans and strikes that give tin whistle playing its distinctive flavor. These techniques are thoroughly explained and demystified. A series of advanced lessons contains step-by-step breakdowns of each ornament, as well as tunes in which to practice the techniques. The age-old sounds of Ireland, England, Scotland and early America come to life with this remarkable book and online audio.   Lessons  - How To Use This Book  - Getting Started  - First Notes  - Tonguing  - Three More Notes  - Twinkle Twinkle Little Star  - Practice Tunes  - Completing The Scale  - Sweet Betsy From Pike  - Lesson One: The ABC's of Music  - The Muffin Man  - Lesson Two: Another New Note - C Natural  - Oranges and Lemons  - Lesson Three: Quarter, Half, and Whole Notes  - Go Tell Aunt Rhody  - Lesson Four: Eighth Notes  - Lesson Five: Sixteenth Notes  - Lesson Six: Dotted Quarter and Half Notes  - Lesson Seven: Dotted Eighth Notes  - Lesson Eight: 6/8 Time  - The Cat's Jig  - Lesson Nine: Slurring/High E  - Lesson Ten: More Notes in the Upper Register  - Don Oiche Ud I mBeithil  - Tin Whistle Basic Fingerings The Tunes  - Wallflowers  - What Shall We Do With A Drunken Sailor  - The Quaker's Wife  - Tim Finnegan's Wake  - Hey Diddle Dis  - The Bonny, Bonny Broom  - On The Road To Boston  - Lil Liza Jane  - The Wagoner's Lad  - The Eagle's Whistle  - The Parting Glass  - Drummond Castle  - Bonaparte's Grand March Morris Dances  - The Blue-Eyed Stranger  - The Ladies Pleasure  - Idbury Hill  - The Boatman  - The Trip To Tunbridge  - Quick Scotch  - The Gay Gordons  - The Old Grey Cat  - Ruffy Tufty High C#, D and Third Octave Notes Pipe and Tabor Tunes  - I'll Go and Enlist for a Sailor  - Constant Billy Fife Tunes  - Governor King's March  - The Boston March  - The Girl I Left Behind Me  - Kemp's Jig  - The Helston Furry Fiddle Tunes  - Over the Waterfall  - West Fork Gals Ornamentation in Irish Music Slurring (Review) Cuts More Cuts Strikes Rolls Reels Rolls in Reels Short Rolls Crans A Note About Breathing Hornpipes  - The Durham Rangers  - The Steamboat Hornpipe  - Poll Hapenny  - Scattery Island Slide  - Maurice Manley's Polka  - Ryan's Slip Jig Strathspeys  - Brochan Lom  - Will You Go To Sheriff Muir?  - Hot Punch  - Balmoral Castle  - The Kilt is My Delight  - The Oyster Wives' Rant  - The Muckin'O' Geordie's Byre  - Old Cape Breton March  - Cutty's Wedding  - Cion A' Bhuntata  - Marching the Soldier Along Slow Airs  - Casadh An Tsugain  - Uir-Chill A'Chreagain  - For The Sakes of Old Decency  - Jim Ward's Jig  - Rolling in the Barrel  - The Boy That Shaved His Father  - Johnny Mickey's  - Egan's Polka  - Pigtown  - The Little Bag of Spuds  - Sean Sa Cheo Appendix Transposing Fingering Chart

SEK 304.00
1