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Teddy Bear Tango

Teddy Bear Tango

Tango originated in the late 19th century in South America and belonged initially to the lower classes in society. The period 1920-1950 is called «The golden age of the tango» and became popular also in Europe both for dancing and singing. The music form is constantly evolving and also Norwegian tango musicians make their mark around the world. «Teddy Bear Tango» is an audience-friendly and funny piece. It offers great opportunities to work with both dynamics, precision and musicality.

SEK 868.00
1

Apparatus musico-organisticus (1690) : twelve toccatas, four independent pieces

Apparatus musico-organisticus (1690) : twelve toccatas, four independent pieces

Georg Muffat might be considered one of the most important German composers of the late seventeenth century. This reputation rests on the string concerti he published but these do not belie the importance of his only publication of organ music, the 1690 Apparatus musico-organisticus. It contains not only his twelve toccatas, but also four pieces that are playable on either the organ or harpsichord. These are among the most substantial works to have been composed before JS Bach, and are rich in technical virtuosity, rhetorical design and harmonic and melodic invention.

SEK 452.00
1

Valdresmarsj

Valdresmarsj

Valdres is a mountain region that lies between Oslo and Bergen. Johannes Hanssen (1874-1967) composed the march for the Valdres Battalion between 1901 and 1904, using the Battalions horn-signal combined with a traditional style folk-tune. The march has been named “one of the greatest marches in the world” on many occasions, and it is a firm favourite with it’s national flavor and unusual style. This version is similar to Johannes Hanssens revised version for Wind Band from 1954. However, it is interesting to notice that in Hanssens very first version of the march half a century earlier, the first theme was played by the Eb-Cornet, just like in this arrangement for brassband.

SEK 1358.00
1

Circius

Circius

The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth.» (Well, not a good translation I´m afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.

SEK 1803.00
1