Nicola LeFanu: I Am Bread - Soprano

Nicola LeFanu 'I Am Bread' scored for Soprano and Piano.

WATKINSON JOHN ROBERT BREAD OF HEAVEN SATB & ORGAN CHORAL

WATKINSON JOHN ROBERT BREAD OF HEAVEN SATB & ORGAN CHORAL

HALL HAROLD BREAK THOU THE BREAD OF LIFE SATB & ORGAN CHORAL

HALL HAROLD BREAK THOU THE BREAD OF LIFE SATB & ORGAN CHORAL

Edward German: Bread Of Heaven, On Thee We Feed (SATB)

Bread Of Heaven, On Thee We Feed gentle and expressive piece, which has been beautifully arranged for SATB Choir with Piano Accompaniment by Edward German.

Sing Low

Sing Low is a new and wide-ranging collection of sacred music for church, collegiate, cathedral, school and youth choirs of 'low voices': altos, tenors and basses. The anthology includes Medieval and Renaissance works, and represents the rich diversity of twentieth century church music. Selected and edited by Barry Rose.

Tarik O'Regan: Swing Low, Sweet Chariot

For SATB chorus unaccompanied. Tarik O'Regan - Swing Low by musicroom

Swing Low, Sweet Chariot

Swing Low, Sweet Chariot, a negro spiritual arranged for unaccompanied SATB by Philip Wilkinson. A piano part is provided for rehearsal purpose only.

Hamish MacCunn: Wandering Willie (Low Voice)

For low voice and Piano. This piece has been scored in the key of E Flat.

Wilkinson, Philip Swing Low Sweet Chariot Ttbb

Swing Low, Sweet Chariot is arranged here for Unaccompanied TTBB Choir by Philip G. Wilkinson .

Muriel Herbert: Fountain Court (Low Voice/Piano)

For Low Voice and Piano, with words based on a poem by Arthur Symons. In E Flat.

Hamish MacCunn: The Winter It Is Past (Low Voice)

For low voice and Piano. This piece is scored in the key of D.

Elgar: To The Children For Low Voice And Piano

Elgar bridged the nineteenth and twentieth century with his fine compositions. This composition is arranged for a low voice and piano.

Eric Fogg: Hunting Song Of The Seeonee Pack (Low Voice)

This setting of a poem from The Jungle Book by Rudyard Kipling is a swift and rhythmic chant for low voice.

Roger Quilter: Two September Songs Op.18 Nos. 5 And 6 (Low Voice)

Two September Songs Op.18 Nos. 5 And 6 by Roger Quilter, for Low Voice with Piano accompaniment.

Roger Quilter: Four Songs Of Mirza Schaffy (Low Voice)

Brighton born modern composer, Roger Quilter managed to produce a sizeable canon of work, especially that of 'art song' and an inspiration to others such as Peter Warlock. Four Songs Of Mirza Schaffy from Op.2 is arranged for a Low Voice and Piano.

Thiman: Two Sacred Songs for Low Voice with Piano acc.

Eric Thiman 's Two Sacred Songs is arranged for Low Voice with Piano Accompaniment. The two songs included are  The God of Love My Shepherd is , in the key of F Major, and Jesus, the Very Thought of Thee , in the key of B Flat Major.

Marchant Very Bread Good Shepherd Satb

Mclelland-Young: Bread Of The World for SAB Chorus

Clifford Harker: Two Introits (Bread Of The World/Come My Way My Truth)

For SATB Choir A Cappella.

Senaille Introduction & Allegro Spiritoso Bassoon Or Euphonium & Piano

J. B. Senaillé's Introduction And Allegro Spiritoso For Bassoon And Piano arranged by Howard Parker  for Bassoon and Piano accompaniment.   Originally scored for 4 solo parts for low brass instruments. Duration - 3 Minutes.

Archibald Davidson Arnott: Blessed Are The Pure In Heart

The vocal score for Archibald Davidson Arnott 's Blessed Are The Pure In Heart , arranged for SATB chorus and Organ Accompaniment. Born in Glasgow in 1870, Arnott moved to London when he was 10 and did not start seriously studying music until he was around 20. After graduating, Arnott became organist at a number of churches in London then Glasgow, all the while composing anthems such as the beautiful Blessed Are The Pure In Heart , which takes its name and text from a verse in the Bible.

Traditional: Swing Low, Sweet Chariot (Novello Barbershop)

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s.Arranger Nicholas Hare has endeavoured to share the interest among all the voice parts, but each singer should be aware at all times of who has the melody, so that it is allowed to stand out. A discreet use of soloists is often appropriate.Blend and balance of the harmony is another vital element in successful performance of this music, and vibrato should be kept in check, so that the chords are clean and perfectly in tune. The various vocalisations (ah, ooh, mm, etc.) may be considered as suggestions only and varied according to the performance conditions.Arranged specifically for male-voice groups (from as few as four voices in some numbers, to a full choir), the songs are notated on two staves for easy Piano rehearsal.

Cyril Scott: Cherry Ripe-low Voice/Piano

Elgar In Moonlight In Eb Low Vce/Pf

Cyril Scott: Rain-low Or Medium Voice/Piano