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Nico Muhly: Luminous Body (For Nine Male Voices And Orchestra)

Nico Muhly: Luminous Body (For Nine Male Voices And Orchestra)

Luminous Body is a collaboration between Nico Muhly and Craig Lucas, written in the period immediately following their narratively charged opera 'Two Boys'. Luminous Body is, as a result, abstract and poetic in gesture and form. The text interpolates, among other things, stylized versions of the teachings of Christ, Buddha, Mohammed, and Plato; these are scrambled and re-contextualized and, in a sense, serve as background for the textures of the combination of nine male Voices and Orchestra. Part 1 introduces the chord structure that governs the entire piece, and ends with the repeated words, ?only your will is your own.? The second and third parts, loosely dealing with the Devil and the importance of choosing one?s words, are based on drones generated by the Voices and the strings; the constant (but slightly morphing) texture is meant to be meditative and vague. Muhly always wanted to set the Beatitudes, and Craig paraphrased them beautifully here; the tenors intone the word ?blessed? over and over while the strings and winds reiterate the passacaglia from the opening of the piece. The fifth and final part is a series of proverbs. The Orchestra begins in a series of loose, ecstatic drones, which increase in intensity (?Make your own family!?) until you jump suddenly to the garden of Gethsemane, where Christ was betrayed while his disciples slept. ?Why are you sleeping? Couldn?t you stay awake for one more hour?? he asks, while the strings and winds lazily chant in the background. Luminous Body was premiered by The St. Paul Chamber Orchestra and Cantus.

SEK 196.00
1

Nico Muhly: Whispered And Revealed (Harp Part)

Nico Muhly: Whispered And Revealed (Score)

Nico Muhly: Tvísöngur

Nico Muhly: Three Songs (For Tenor, Violin And Drone)

SRO100011

Nico Muhly: Spiral Mass

Nico Muhly: Diacritical Marks (Score/Parts)

Nico Muhly: Patterns

Nico Muhly: Old Bones

Nico Muhly: It Goes Without Saying

Nico Muhly: It Goes Without Saying

For a piece with such a strong electronic component, 'It Goes Without Saying' is surprisingly organic. While the electronics include chillier, metallic noises—samples ranging from a kitchen whisk to a unique set of tiny bells—most prominent are the warm, woody sounds of a harmonium and of clicking clarinet-keys, sounds that share a certain sonic DNA with the live components of the performance.The piece also develops according to organic principles. Over the initial drone of the harmonium, the rhythm track and the clarinets build the material of the piece up from small, replicating cells into a lively and elaborate texture. The minutely wrought surface is stretched over the simplest possible formal contour, the drone undergirding the piece progressing from C to F and back again. When the slowly building dissonance of the underlying harmonium chord finally reaches its tipping point, the resolution corresponds to a dramatic timbral shock: a shocking burst of industrial noise, dominating rather than complementing its acoustic surroundings. Finally, the machine noises die away and the harmonies return home, the texture warms once again—now leavened by the gentle sound of the celesta. – Program Notes © 2007 Daniel Johnson Performance Notes: The clarinet should be placed in the center of the stage. If amplification is used (which is not necessary but can help solve certain balance issues), it is recommended that there be one microphone traditionally placed, and another close to the side of the instrument, gently amplifying the natural sound of the keys clicking.

SEK 196.00
1