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Rev. Gary Davis: At Home and Church

Rev. Gary Davis: At Home and Church

This set of three CDs captures Rev. Davis at home and church - teaching, talking and philosophizing. The first two CDs are material recorded at his Bronx home. Religious songs, folk tunes, blues, rags and memories are included. The music ranges from the heavenly to the bawdy and the third CD features a recorded service where Rev. Davis plays and delivers sermons.Disc One (At Home):1. Twelve Sticks 3:472. Sally, Where?d You Get Your Liquor From 1:523. Babylon Is Falling 6:364. What Could I Do 3:235. Children of Zion 7:056. Hesitation Blues 4:057. Candyman (on 5 String Banjo) 1:238. Steal Away And Pray 5:369. Goin? To Chattanooga 5:0210. Packing Up, Get Ready To Go 3:3711. Untitled 0:3912. You Cry Because I?m Leaving 4:1613. Don?t Let My Baby Catch You Here 5:1414. Lord Let Me Live Longer 2:2115. I Want To be Saved 2:4716. Waltz Time Candyman 3:1717. Little Boy Who Made Your Britches 4:3818. Talks about Verses Not Sung 2:2119. C Rag 5:4120. Two Step Candyman 2:51Disc Two (At Home):1. Piece Without Words 3:512. Lord Search My Heart 4:053. Slippin? To My Gal Comes In Partner 2:564. Sun is Going Down 2:445. Raise A Ruckus Tonight 2:146. Save Up Your Money, John D. Rockefeller, Put the Panic On 5:597. Soon My Work Will All Be Done 3:578. You?re Gonna Need King Jesus 2:449. I?m Going Back To Jesus 2:0210. Blues in C 5:1211. Saddle It Around 3:0012. People Who Use To See 4:5213. Italian Rag 3:1614. Candyman 4:2415. Nobody Don?t Care For Me 3:1216. Fox Chase 4:5117. Talk on Blind Boy Fuller 9:39Disc Three (In Church):1. Amazing Grace 3:262. Sermon 3:113. I?m a Soldier In The Army Of The Lord 5:194. Sermon 2:405. Lord, I Feel Just Like Goin? On 5:016. Steal Away 6:307. Can?t Make This journey By Myself 2:478. Sermon 17:569. I Will Overcome Someday 5:1510. God Be With You 1:1511. I Got Religion I?m So Glad (From the Mariposa Folk Festival) 7:5612. I?m a Soldier In The Army Of The Lord (From the Mariposa Folk Festival) 4:24

SEK 301.00
1

Scott Nygaard: Bluegrass Lead Guitar - Fiddle Tunes, Crosspicking And Blues

Doc & Merle

Guitar Styles And Techniques Of Jerry Reed

John Renbourn & Stefan Grossman In Concert

Tom Feldmann: Delta Blues Guitar From Dockery Plantation

Holy Blues Of Rev. Gary Davis

Tom Feldmann: Bottleneck Gospel Guitar

Pat Kirtley: Pickin' Like Chet - Chet Atkins' Vintage Classics (Volume Two)

Pat Kirtley: Pickin' Like Chet - Chet Atkins' Vintage Classics (Volume Two)

Chet Atkins was a master in many aspects of the Guitar. One of his greatest skills was his uncanny talent of discovering songs which would "work" as fingerstyle arrangements, and then using his musical genius to forge them into enduring masterpieces. National Fingerstyle Guitar champion Pat Kirtley has assembled a collection of favourites from Chet's "Golden Era" -- some of the best of Chet Atkins' vintage classic tunes -- and teaches you the secrets of how it's done, and how to get the feel of the originals in this double DVD.Pat chose these tunes, his own favourites from Chet's vast collection, carefully dissecting them and then putting them back together, step by step, so the guitarist can not only learn to play them, but also gets a sense of the feel and history of each unique selection. Pat teaches you note by note and phrase by phrase six of Chet's greatest arrangements. Using split-screen you can study both the left and right hands in detail. A printed tab/music booklet is included as well as a PDF file of the booklet on each DVD.Every tune here is a winner, a true Chet Atkins classic, and each one is guaranteed to be a standout solo Guitar performance piece. These challenging arrangements will provide hours of pleasurable fingerstyle fun as you learn to "pick it like Chet!"Tunes taught include: Rose Ann, Down Home, Somebody's Knockin', Trambone, Drive In, Alice Blue Gown. Bonus tracks: Chet Atkins performing The Poor People Of Paris, Side By Side, Makin' Believe, Villa, Say Si Si

SEK 382.00
1

Stefan Grossman/John Renbourn: Under The Volcano

Stefan Grossman/John Renbourn: Under The Volcano

"The material is a mix of traditional and original, the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste." ? AllMusic.comOn their duet records, John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is a collection of seven duets. Including an extended four-part work for which the album is named, and one solo by each of the players, the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as "an interweaving of styles," it is quite difficult, and somewhat pointless, to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown, brimming with contrapuntal funkiness, and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture. But the lingering impression is one of crisp, snapping strings and air being moved by wooden-boxed guitars.Track Listing:1. Idaho Potato2. Medley: Sheebeg An Sheemore & Drunken Wagoner3. Under The Volcanoa) Resurrection of Blind Joe Deathb) Four for the Rosesc) Montagu's Pactd) Rights of Man4. Medley: Bonaparte's Retreat & Billy In The Lowgrounds5. Swedish Jig6. Water Gypsy7. All Things Parallel Must Converge8. The Blarney Pilgrim9. Mississippi Blues No. 3(All tunes except for "Bonaparte's Retreat" have been transcribed and included in a pdf tab/music booklet on the CD)

SEK 159.00
1

Tom Feldman: Bottleneck Slide Guitar For Beginners

Tom Feldman: Bottleneck Slide Guitar For Beginners

There is nothing like the feel of a bottleneck sliding across your strings nor the sound that comes forth as it screams, growls and moans. What other tool can create the sweat or raw emotion of the human voice? But some believe that there is a sort of mystery behind the use of a bottleneck slide, but the reality is, anyone can learn to do it.In this lesson Tom Feldmann teaches you the very basics of how to play with a bottleneck slide. Starting with the most important step, producing a single note, Tom then takes you through many simple exercises getting you comfortable sliding on single, double and multiple strings.Starting in Open D (Vestapol) tuning, Tom uses Bukka White's Jitterbug Swing for the single string slide exercise, Robert Wilkins' I Wished I Was In Heaven for double string exercise, an Elmore James style shuffle for a multiple string exercise and closes with Guitar Rag by Sylvester Weaver which brings together all of the elements in one wonderful instrumental.Since the basics were covered in Open D, the lesson closes with two songs in Open G (Spanish) tuning; Charley Patton's I'm Going Home and Bobby Grant's Nappy Headed Blues. These two songs will give you a solid foundation for single, double and multiple string slide in Open G tuning.Vibrato, left and right hand dampening, as well as alternating and monotonic bass are discussed in detail and used throughout the lesson. A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original recordings of all the tunes are included.

SEK 301.00
1

John Miller: Atlanta Blues Guitar

John Miller: Atlanta Blues Guitar

Atlanta, in the period 1920-1940, rivaled Memphis, St. Louis, Jackson and Chicago in the strength and vitality of its blues scene. It was home to a unique school of 12-string guitarists that included Blind Willie McTell, Barbecue Bob, Charlie Lincoln, Willie Baker and George Carter.Also on hand were the slick slide guitarist Fred McMullen, the accompaniment king, Curley Weaver and the spectacular up-and-comer, Buddy Moss. The scene was rounded out by an earlier generation of players, Peg Leg Howell foremost among them, who kept alive musical traditions that were in the eclipse.Included on this DVD are transcriptions and teaching of recorded performances from the youthful Buddy Moss, a player who influenced generations of East Coast players that followed him, George Carter, a mysterious 12-string guitarist who recorded only four titles, Curley Weaver, a player's player, widely acknowledged to be among the finest accompanists in the blues, Julius Daniels, who came down from North Carolina to Atlanta to record early on and Peg Leg Howell, a bootlegger-turned musician who busked in the streets of Atlanta both as a soloist and in a trio with the fiddler Eddie Anthony and guitarist Henry Williams.The songs presented in the lesson will expand both your right hand techniques and your knowledge of the neck, with one song employing the almost never encountered Open B flat tuning.A detailed tab/music booklet is included as a PDF file on the DVD, and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include Curley Weaver: Ticket Agent | George Carter: Rising River Blues | Buddy Moss: New Lovin? Blues and Oh Lordy Mama | Julius Daniels: 99 Year Blues | Peg Leg Howell: Turtle Dove Blues and Low-Down Rounder Blues

SEK 301.00
1

John Miller: Jackson Blues Guitar DVD

John Miller: Jackson Blues Guitar DVD

Jackson, Mississippi attracted a host of blues musicians in the period 1910-1940. Many players from small towns made their way to Jackson, which as the capital of Mississippi and a much larger city, held forth the promise of more and better work opportunities, and the possibility of making a living playing music rather than driving a mule or chopping cotton. The Jackson Blues scene was an unusually rich one, stylistically, spanning the gap from the sophisticated Pop blues of Bo Carter to the low-down blues of Rube Lacy and a host of players working between those two extremes.Included on this DVD are transcriptions and teaching of recorded performances from Tommy Johnson, one of the fountainheads of the Mississippi blues, Itta Bena natives Rube Lacy and Ishmon Bracey, with their distinctive vocal head tones and intense playing, the great Geeshie Wiley, a woman who played and sang as strongly as any man, Walter Vinson, guitarist and lead singer for the Mississippi Sheiks, and Bo Carter, a player with a rich chordal vocabulary and Jazzy sound. The songs presented offer a wide range of left and right hand approaches and ways of keeping time and will expand your your ability to play blues, moving far afield from the simple alternating bass.A detailed tab/music booklet is included as a PDF file on the DVD, and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include: Tommy Johnson: Lonesome Home Blues | Walter Vinson: Overtime Blues | Geeshie Wiley: Eagles On A Half | Rube Lacy: Ham Hound Crave | Ishmon Bracey: Four Day Blues | Bo Carter: Honey

SEK 301.00
1

Deep Texas Blues -The Early Blues Of Lightnin' Hopkins

Deep Texas Blues -The Early Blues Of Lightnin' Hopkins

In this second DVD lesson devoted to the guitar playing of Lightnin? Hopkins, Ernie Hawkins dives into Lightnin's early catalogue from the Aladdin and Gold Star record labels. There was an amazing variety to Lightnin's early work. Listening to his early recordings we hear an artist at his prime. He effortlessly employing widely different rhythms, keys and tunings. The deeper we listen to these songs, the deeper our insight into what a master of Texas blues Lightnin' Hopkins really was.Lightnin's style itself came along at the perfect time: the advent of the electric guitar. His style, strong rhythms punctuated by his flowing but compact lead lines created a stinging and heart-tearing evocative sound. Lightnin's guitar style and technique worked great for both the acoustic or electrical guitars. The blues of Freddy King, Albert Collins, the Vaughn brothers, Billy Gibbons, testify to the power of this style. Lightnin' connects the generations of players, starting with Blind Lemon Jefferson, for whom he was lead-boy in the early 1920s. Standing tall at the center of the Texas Blues story is Lightnin? Hopkins.In this double DVD set, Ernie Hawkins covers songs in unusual keys such as: drop D(Sugar Mama), in drop D but played in the key of A (Santa Fe Blues), in G (Bad Luck and Trouble), as well as in the usual blues in A, Come Back Baby and the country gospel Needed Time in the key of E. As a bonus, Ernie teaches his version of Lightnin's Hideway, the Freddy King tune coming back home to Lightnin'.Ernie teaches phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing. Detailed tab/music booklets are included as PDF files on both DVDs. 186 minutes ? Level 2/3 ? Detailed tab/music PDF files on the DVDs

SEK 382.00
1

Fun on The Frets

Fun on The Frets

The more you play the guitar the better you'll become and the more fun and enjoyment you'll have. When I asked Rev. Gary Davis when and how I should practice on my guitar his answer was clear. He told me to play first thing in the morning and then last thing at night. He said I should keep my guitar out of its case so that I could play it whenever I wanted. The message was to play and enjoy yourself. This collection of blues, jug band tunes, rags and novelty songs should present you with hours, weeks, months and even years of enjoyment and challenges. The arrangements vary from easy to difficult. Includes access to online audio. The tunes presented include: Going To Germany,Walk Right In, My Money Never Runs Out, Cocaine Habit Blues, KC Moan, Stealin', Stealin', You May Leave, Mississippi River Waltz, He's In The Jailhouse Now, Show Me The Way To Go Home, Guitar Stomp, Mississippi Blues, Blues For The Mann, Shine On Harvest Moon, Creole Belles - March & Two Step, The Teddy Bears' Picnic, Nola, Dallas Rag, At A Georgia Camp Meeting, St. Louis Tickle, Mabel's Dream, Powder Rag and Silver Swan The more you play the guitar the better you’ll become and the more fun and enjoyment you’ll have. When I asked Rev. Gary Davis when and how I should practice on my guitar his answer was clear. He told me to play first thing in the morning and then last thing at night. He said I should keep my guitar out of its case so that I could play it whenever I wanted. The message was to play and enjoy yourself.This collection of blues, jug band tunes, rags and novelty songs should present you with hours, weeks, months and even years of enjoyment and challenges. The arrangements vary from easy to difficult. Includes access to online audio.

SEK 314.00
1

Country Blues Guitar in Spanish & Vestapol Tunings

Country Blues Guitar in Spanish & Vestapol Tunings

The use of open tunings on the guitar to accompany singing is one of the hallmark sounds of the Country Blues. Unquestionably, the two open tunings that have been used most commonly in the Country Blues have been Spanish tuning, often called Open G tuning and Vestapol tuning, quite often called Open D tuning. For this 2-DVD lesson, we've chosen the names Spanish and Vestapol to designate these tunings, because in practice, Spanish tuning was not always tuned exactly to an open G chord and Vestapol tuning was not always tuned to an open D chord.Each one of these tunings represents its own sort of sound universe, but what is really interesting to hear is the different approaches that different players took to the same tunings, and the different sounds that resulted. In each of these tunings, you'll encounter players whose approach was so melody-driven that it ends up sounding almost like slide guitar played without a slide, and at the opposite end of the spectrum, high concept, chordally sophisticated arrangements. We've purposely chosen the songs that are taught on the lesson to encompass as much of that sound spectrum as possible.On Disc 1, the Spanish tuning lesson, we start by presenting an overview to the tuning, how it is set up, and where the foundational chord positions needed to play Country Blues in that tuning are located. Then we launch into the repertoire: Elizabeth Cotten's serene rendition of the hymn When I Get Home, Mississippi John Hurt's danceable Boys, You're Welcome, Teddy Darby's hypnotic Built Right On The Ground, Clifford Gibson's uptown Bad Luck Dice, Mance Lipscomb's ancient-sounding Willie Poor Boy and Kenny Baker's haunting Legend of the Whistling Brakeman.On Disc 2, the Vestapol tuning lesson, we begin with the an overview that provides the sound of the tuning, the approach that is best suited to it, and the chordal positions needed to play Country Blues in it. Then we go to the songs: Tarheel Slim's instrumental No Time At All, Jimmy Lee Williams' churning locomotive Have You Ever Seen Peaches?, John Byrd's Old Timbrook Blues, Memphis Willie B.'s eerie Brownsville Blues, Blind Boy Fuller's driving Little Woman You're So Sweet, and Jesse Thomas' mind-bender Another Friend Like Me.Instruction is offered with the kind of patient attention to detail for which John Miller's lessons have been acclaimed, and all of the original performances of the songs are included on the discs, as well as tab and standard notation and the lyrics to the songs. Learn the songs on these lessons and you'll be equipped not only to continue learning more songs in these tunings on your own, but perhaps even to create your own arrangements and songs in the tunings.

SEK 382.00
1