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Rick Udler: The Brazilian Sound for Fingerstyle Guitar

Rick Udler: The Brazilian Sound for Fingerstyle Guitar

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson, Rick Udler discusses and demonstrates styles, techniques, and rhythms of Brazil's great players. This is a unique opportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriter Gilberto Gil's beautiful composition, "A Paz", to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop a better feel for this sophisticated, syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic "One Note Samba" will be a welcome addition to many players repertoires with it's rhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to those looking for ways to generate more excitement and authenticity in their comping. A sambified version of "Happy Birthday" demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And, to provide an even greater challenge for all players, Rick gives a detailed analysis of his tour de force solo guitar piece "Amigo Paulo", composed as an homage to his friend, guitar legend Paulinho Nogueira (1927-2003). This tune with it's choro influences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

SEK 301.00
1

John Miller: Introduction To Chord Theory And Chord Voicing For The Guitarist

John Miller: Introduction To Chord Theory And Chord Voicing For The Guitarist

In this 2-DVD set master guitarist and instructor John Miller walks you through the fundamentals of chord theory, providing you with the conceptual tools needed to understand chord structure, and then shows you how to apply that knowledge to the neck of guitar, making practical sense of the information so that you will be equipped to voice chords up and down the neck in any key.In Volume One of the set, John goes over the major scale and its structure, and then moves on to intervals, familiarizing you with the different interval types and the language used to define and describe them. He moves then into triads and shows how the diatonic triads are derived from scale structure, following up triads with seventh chords, the diatonic seventh chords and the various seventh chord types. As you move through these topics, you will find a variety of exercises on the PDF that is included on your DVD, exercises that will test and build your knowledge of these topics. Having laid the initial theoretical groundwork, John then shows you how to voice triads and seventh chords out of the E, A, C, D and F positions.In Volume Two, John starts out by defining sixth chords and showing how to voice them, then discusses tonic function and seventh chord function. The remainder of Volume Two is devoted to working on songs, seeing how to play the same song in a variety of keys and positions and how to use the way the guitar is tuned to transpose from one key to another in the easiest possible fashion. After working through this 2-DVD set you will have a sound fundamental understanding of triad, sixth and seventh chord structures in a variety of positions, and won't be deterred from learning songs in flat keys or playing up the neck without a capo. If you are really interested in understanding chords and ready to work on developing your understanding, Introduction to Chord Theory and Chord Voicing for the Guitarist will get you well on your way towards that goal.On the PDF accompanying the DVD you'll have the opportunity to diagram all of the chords.

SEK 382.00
1

John Miller: Improving Your Ear For The Country Blues Guitarist

John Miller: Improving Your Ear For The Country Blues Guitarist

In this lesson John Miller will provide you with the tools you need to develop your ability to tell what position or tuning a Country Blues performance was played out of simply by listening to the recording. Believe it or not, this is a learnable skill and John, who has taught it for many years, will show you what to listen for and help you get started hearing the various auditory clues that identify the distinctive sound of the different playing positions and tunings most commonly used in Country Blues guitar playing. Developing your ability to do this kind of informed listening, or listening with knowledge will reap significant rewards for your playing, most especially improving your ability to learn by ear and increasing the speed with which you're able to pick up new material.One of the real advantages of having this material presented in this 2DVD format is that it allows John to go over the material in real detail, presenting the sound characteristics of the different playing positions and tunings at length, and providing you with memory devices to help you remember the sound of alternating bass for the different positions and tunings. The material is not presented in the abstract, either - as John goes along, he plays a host of examples drawn from Country Blues performances that help illustrate and exemplify the characteristic sound of each playing position. The PDF study guide that accompanies the lesson includes a summary of the sound characteristics that identify each of the playing positions/tunings presented in the lesson, as well as the memory devices that will help you remember the sound of the bass in the different positions. Also included on the DVD is a test to take when you have completed the lesson, with a selection of recordings of Country Blues played out of different positions and tunings for you to identify using your new skills. Disc One: E position, standard tuning ? C position, standard tuning ? D position, standard tuning ? A position, Standard tuningDisc Two: G position, standard tuning ? F position, standard tuning ? Dropped-D tuning ? Vestapol tuning ? Spanish tuning230 minutes ? Level 1 ? Detailed PDF booklet file on the DVD

SEK 301.00
1

Guy Davis: Guitar Artistry - Teller Of Tales

Guy Davis: Guitar Artistry - Teller Of Tales

Whether Guy Davis is appearing on Late Night TV programs or nationally syndicated radio shows, in front of 25,000 people at Madison Square Garden, or an intimate gathering of students at a Music Camp, Guy feels the instinctive desire to give each listener his 'all'. His 'all' is the Blues.Guy can tell you stories of his great-grandparents and his grandparents, their days as track linemen, and of their interactions with the KKK. He can also tell you that as a child raised in middle-class New York suburbs, the only cotton he's personally picked is his 'BVDs' up off the floor. He's a musician, composer, actor, director, and writer. But most importantly, Guy Davis is a bluesman. The blues permeates every corner of Davis' creativity.Throughout his career, he has dedicated himself to reviving the traditions of acoustic blues and bringing them to as many ears as possible through the material of the great blues masters, African American stories, and his own original songs, stories and performance pieces. In 1993 he performed Off-Broadway as legendary blues player Robert Johnson in Robert Johnson: Trick the Devil. He received rave reviews and became the 1993 winner of the Blues Foundation's ?Keeping the Blues Alive Award?. Looking for more ways to combine his love of blues, music, and acting, Davis created material for himself. He wrote In Bed with the Blues: The Adventures of Fishy Waters -- an engaging and moving one-man show. The Off-Broadway debut in 1994 received critical praise from the New York Times and the Village Voice. Of Davis' live performance, one reviewer observed that his style and writing ?sound so deeply drenched in lost black traditions that you feel that they must predate him. But no, they don't. He created them.?These days, Davis concentrates much of his efforts on writing and performing his Blues music. He has released nine albums for Red House Records, all of which have garnered rave reviews and praise, as well as earning awards and other special nods. Perhaps Charles M. Young summed up Davis' own take on the blues best when he wrote his review in Playboy, ?Davis reminds you that the blues started as dance music. This is blues made for humming along, stomping your foot, feeling righteous in the face of oppression and expressing gratitude to your baby for greasing your skillet.?

SEK 267.00
1