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Warne Marsh: An Unsung Cat

The Sensitive Billie Holiday 1940-1949

Wild Bill Davidson: In Copenhagen

Jesper Thilo & The American Stars Vol. 1

Fessor's Big City Band: Time Out For Blues

Quest: Searching For The New Sound Of Be-Bop

Karsten Houmark: Dawn

Tomas Franck Quartet: Association - Live At Montmartre

Cathrine Legardh/Sigurdur Flosason: Land & Sky

Duke Ellington: The Treasury Shows Vol. 21

Duke Ellington: The Treasury Shows Vol. 21

In April 1945, to promote the sale of war bonds, the US Treasury Department contacted Duke Ellington to do a series of 55 min public broadcasts. These sessions would give Ellington a wide choice of material to perform including his older work; new instrumentals and pop tunes and his extended works as well. This double CD contains a series of different radio broadcasts from The Million Dollar Theatre in Los Angeles, the El Patio Ballroom in Denver, the Orpheum Theatre in San Diego and the Trianon Ballroom in South Gate, California. The broadcasts are featured complete with radio speaks and encouragements to buy bonds read by The Duke himself + bonus material and extensive liner notes. CD 1 contains a radio broadcast from The Million Dollar Theatre in Los Angeles, July 6m 1946 plus bonus tracks from a CBS Broadcast from Lakeside Park, the El Patio Ballroom in Denver, July 14, 1942. CD 2 features a broadcast from the Orpheum Theatre in San Diedo, July 27, 1946, with the bonus tracks being from a radio broadcast in the Trianon Ballroom, South Gate, California dating back to May 2, 1942. As a teaser for the sound found on this volume, Duke Ellington connoisseur Brian Koller, author of the extensive liner notes, writes: “ It is no wonder why the Cat Anderson composition Teardrops In The Rain was a band staple for two years. The band really swings, and when it’s time for Anderson’s solo, he shows off high note pyrotechnics that few if any other trumpeters could match. Al Sears unleashes a might Tenor Sax solo, then the band is briefly reduced to a rhythm trio featuring Pettiford’s Bass and the Duke on Piano. To close the number, the full orchestra reverses the introductory themes .” Energy like that is found all through the broadcasts!

SEK 210.00
1

Wild Bill Davidson: The Danish Sessions, 1973-1978

Wild Bill Davidson: The Danish Sessions, 1973-1978

Brash and sensitive – new large box set with the legendary American trumpeter Wild Bill Davison William Edward Davison (1906-1989) was an American trumpeter, and among the best of his kind. Louis Armstrong himself thanked him in his old age for bringing forward the very music to which Armstrong himself had vowed his whole life.  He had an ear for rhythm and music like no other. His sound is a demonstration of power, but never extortion. Rather, he is precise, athletically sharp and just a moment ahead of the beat, laid-back and superior. He wasn’t interested in sheet music or chords, but had an ear and a routine equal to few. For Davison, it was not a question of which playing style was in fashion: he was driven by a simple desire to create good music. It wasn’t only his musical style that earned him his Wild Bill nickname. He loved partying and was known to drink like an entire band. He could be gruff and violent, tender and touching, generous or stingy. His fifth and last wife, Ann Stewart, put him under and administration and that diminished the number of female acquaintances and his consumption of boozed dwindled to a trickle. But how did this musician from the great USA turn up in Denmark, settle here and play so prolifically for five years? The story begins at the 1972 Newport Jazz Festival. Papa Bue’s Viking Jazzband was on the program, and went backstage to say hello to musicians such as Eddie Condon, Bobby Hackett among others. They invite Davison to Copenhagen, and he likes the city so much he decides to stay around. Ole “Fessor” Lindgreen recalls Wild Bill Davisons particular and powerful style: “ I’ve played with many of the Americans, but I have to say I was always impressed by the punch there was in Wild Bill. No matter whether he was playing for forty people or four hundred, there was an enormous amount of power. If the concert was being recorded, the sound people always thought there was something wrong with the equipment – that’s how strong he played. The fact that later in the evening he drank himself stinking drunk didn’t matter so much… He was more serious with his music than you’d think, behind that smash-bang-pow façade. He practiced all the time. He said ‘I have the kind of chops that, if I don’t practice one day, it’s okay. Two days, problems. Three days, serious shit ’”. Wild Bill Davison lived the good life in Denmark for more than five years, between 1973 and 1978. He played countless gigs with Danish bands, especially Fessor’s Big City Band and Papa Bue’s Viking Jazzband, and made trips to Argentina, Spain and Italy with Copenhagen as his base. The music in this box set focuses on his successful collaboration with the Danish bands, who are performing on a high level with deep, affectionate insight into the essence of jazz.  

SEK 414.00
1

Thomas Fonnesbæk Trio: Sharing

Thomas Fonnesbæk Trio: Sharing

Release November 09, 2018.   Thomas Fonnesbæk and Justin Kauflin are ready to follow up on the critically acclaimed album Synethesia from 2017. This time they are joined by Billy Williams on drums, making this a trio record.   The album, entitled Sharing, was recorded during November 2017 in Gothenburg, Sweden. It consists of 10 tracks, with the main part composed by Fonnesbæk, alongside one improvisation and a rendition of the classic track Inception, written by McCoy Tyner. On Sharing the trio exemplifies the fact that jazz has never been a more international art form than it is today, and that new generations continue to set their own fascinating imprint on the music.   Opening track Point Of No Return starts with a ride-cymbal that sets a kind of upbeat but still very spacious sound, and within the first minute the piano and bass kicks in giving the intro a form that slowly transcends into the theme of the song. First Dance is as the title suggest, a percussion-heavy song that invites the listener to dance to the rhythms. Title-track Sharing is a beautiful ballad that really displays the immense talents of the trio, with the piano in a leading role and almost playful in the way it explores the melody and chords within the song. Tokyo Tower is one of the more upbeat songs, shapeshifting between a kind of metric funk and more traditional jazz within the blink of an eye. The album closes on a high beat, with the trio’s rendition of Inception. Presented here in a very high tempo, the trio once again displays what they are capable of, this time playing fast and precise, without ever sounding forced.   Danish bassist Thomas Fonnesbæk is a fascinating musician who exudes technical brilliance and a superior sense of rhythm, as well as a melodic and harmonic sensitivity reminiscent of Niels-Henning Ørsted Pedersen that never overshadows his own unique style.   Justin Kauflin is one of the great piano talents of recent times. Renowned trumpetist Clark Terry and Quincy Jones has both taken the young prodigy under their wings, playing a crucial part in his success. The maturity he displays and focus with which he plays is exceptional.   Billy Williams is the childhood friend of Kauflin and has worked professionally with a long list of great jazz musicians such as Christian McBride, Larry Willis, Steve Wilson, Benny Golson and Ellis Marsalis Kauflin and Fonnesbæk met for the first time when they were put together for a show at Montmartre in Copenhagen.   Kauflin was so impressed with Fonnesbæk, that he invited him to go on tour with him in Europe and Asia. Both Justin Kauflin and Thomas Fonnesbæk perceive music as colour, a form of synesthesia where one sense stimulates another. It is an aptitude that permeates this record and boosts the level of interplay to new heights. As a result, almost everything is possible and the music becomes boundless when Kauflin, Fonnesbæk and Billy Williams let themselves go. In all of this, Williams plays a major role. His style, at once powerful and sensitive, binds the music together while giving it the groove to constantly propel the group forward.   Great art gets us to forget daily life for a moment. It makes us aware of our fe

SEK 188.00
1

Sigurdur Flosason: Night Fall

Mary Lou Williams: Solo And Trio

SEK 296.00
1

Jesper Thilo/Finn Otto Hansen: Insipid Hothouse Melons

James Spaulding plays the Legacy of Duke Ellington

Mads Vinding Trio: Open Minds

Sir Roland Hanna: Free Spirit

Art Pepper: Live In Japan

Duke Ellington: The Piano Player

Ben Webster: In Norway