Chueca And Valverde: Cadiz

Written for voice and piano. An zarzuela in two acts.

Menendez: Nocturo For Flute And Piano

Scored for flute and piano.

Fernando Remacha: Cuarteto (Score And Parts)

Written for Violin, Viola, Cello and Piano.

Isaac Albeniz: Sevilla-Sevillanas (Violin And Piano)

Written for violin and piano.

Granados: Andaluza (Azpiazu) Voice and Guitar

Enrique Granados (1867-1916) was a Spanish composer and pianist, who studied in Barcelona and Paris, and whose life was tragically cut short by the First World War. The nationalist style which dominated his early output is often seen to be epitomised by the 1890 work, 12 Danza Española , a collection of Spanish dances originally for the solo Piano. Andaluza is No. 5 from 12 Danza Española , and has been transcribed here for Voice with Guitar by the Basque arranger Jose De Azpiazu (1912-1986), setting a poem by Luis Munoz Llorente.

Julian Menendez: Introduccion Andante Y Danza Clarinet and Piano

Julian Menendez's 1952 composition Introduccion, Andante Y Danza is a lively and attractive piece for Clarinet and Piano, recommended for more advanced and experienced players.

Joaquin Zamacois: Serenada D'Hivern (Contra Bassoono/Cello And Piano)

Zamacois was the director of the Barcelona Municipal Conservatory, and wrote many symphonic and chamber works, as well as a large catalogue of theory titles and papers. This piece, originally for Violin and Piano, has been transcribed by J. Amaz.

Joaquin Rodrigo: Aria Antigua For Flute And String Orchestra

Aria Antigua, for flute and string orchestra was first performed by Bernard Wystraete and The Instrumental Soloists Ensemble B W on 23 March 1999 in Versailles. Includes score and parts.

Eduardo Toldra: Music For Voice And Piano

A unique collection of music for voice and piano by the celebrated Spanish Composer.

Xavier Montsalvatge: Fantasia For Harp And Guitar

A 'Fantasia' in three parts, for Harp and Guitar by the celebrated Spanish composer.

Joaquin Turina: Cantares For Voice and Guitar

The song Cantares sets a poem by philosophical poet Ramon de Campoamor whose words describe a conflicted and unfulfilled love. The transcription from Piano to Guitar enhances the Iberian flavour of the Turina’s song. There are virtuosic passages for the Guitar and quite demanding passages for the Soprano or high Voice.Joaquin Turina is often contrasted with Albéniz and Granados, those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms and it is possible to hear the influence of Turina’s years studying in Paris, as well as his native Spain combined with the composer’s own unique Voice.

Soutullo And Vert: Duo (From El Ultimo Romantico)

Written for voice and piano. Movement no.10 from El Ultimo Romantico.

Xavier Montsalvatge: Concertino 1 And 13 (Score/Parts)

Montsalvatge's Concertino 1 and 13, written in 1975 is a sometimes gritty, fleetingly Minimalist piece in which the solo violin line, played with a rounded, singing tone is set against a changing and consistently interesting string ensemble texture.

Federico Garcia Lorca: Canciones Espanolas Antiguas (Voice And Guitar)

Transcriptions for voice and guitar by Venancio Garcia Velasco.

Xavier Montsalvatge: Music For Piano And Voice

A unique collection of music for piano and voice by the celebrated Spanish composer, Xavier Montsalvatge. Suitable for pianists from grade 5 standard.

Jose Padilla: Music For Piano And Voice

A unique collection of music for piano and voice by the celebrated Spanish composer Jose Padilla. Suitable for pianists from grade 5 standard.

Miguel Yuste: Solo De Concurso For Euphonium And Piano

Miguel Yuste's 'Solo De Concurso' was written for Euphonium and Piano.

Emilio Lopez De Saa: Music For Voice And Piano

A unique collection for Voice and Piano by the celebrated Spanish Composer.

Chueca: La Gran Via (Zarzuela En Un Acto) Voice And Piano

La Gran Via is a zarzuela , a form of comic operetta popular in Spain and the Spanish-speaking world throughout the 1700s and 1800s. Written and first performed in 1886, it was a collaboration between two of the most successful Spanish composers of the genre: Federico Chueca (1846-1908) and Joaquin Valverde (1846-1910), both of whom were born in Madrid and studied at the conservatory there. The libretto was written by the writer and humourist Felipe Perez (1854-1910), and focusses on the redesign of Madrid that was conceived many times during the 19th century. Most of the carachters are named after streets, some of which have been slated for demolition, and some of which are planned but are yet to be built. The script was changed several times in order to keep the material topical. La Gran Via has been arranged for Voice with Piano accompaniment.

Granados: La Maja Dolorosa Tres Tonadillas for Voice and Guitar

This mini-cycle of three songs for Voice and, in this instance, Guitar, are ranked among the greatest of Granados’s musical achievements. The blend of beautiful melody, formal integrity and control in the accompaniment creates a remarkable work. The songs set the poetry of Fernando Periquet, a contemporary Spanish writer, and generally concern the theme of romantic love. The texts are in Spanish, untranslated.Spanish composer and pianist Enrique Granados was active in the decades around the turn of the last century. Granados’s life and work were cut tragically short when the passenger ship on which he was sailing was bombed by a German U-boat in the English Channel. He is best known for his suite for Piano Goyescas, which has been arranged for other instruments, written in 1911, around the time that these songs were written.

Franz Schubert: Ave Maria For Violin And Piano

'Ave Maria' (Hail, Mary) by Franz Schubert is one of his many exquisite musical gifts to the world.This 'Ave Maria' is a simple, moving piece which is universally known and loved, and was composed in about 1825 when Schubert was twenty-eight years old. That was only three years before his death at the young age of 31. It is part of a setting of several songs Schubert wrote for Sir Walter Scott's 'Lady of the Lake'.

Isaac Albeniz: Puerta De Tierra Bolero (Bayer) For Alto Saxophone And Piano

Written for alto saxophone or horn in E flat and piano.

Joaquin Turina: El Poema De Una Sanluquena For Violin And Piano

A native of Seville, Joaquin Turina won local success before travelling to Madrid, where he met Manuel de Falla and was further influenced by the prevailing currents of musical nationalism. Study in Paris at the Schola Cantorum was followed, in 1914, by a return to Madrid, where he made his subsequent career in spite of the difficulties he and many others of his background encountered during the days of the republic. This piece is a fantasy for violin and piano.

Shade and Darkness

Dance, Song and Celebration