Sadie Harrison: My Hazara People

Sadie Harrison 's My Hazara People for Voice and String Orchestra. This work sets a text by Shukria Rezaei.

Thomas Simaku: Albanian Folk Song (My Beautiful Morea)

Thomas Simaku's Albanian Folk Song (My Beautiful Morea) for Violin and Guitar.

Thomas Simaku: Albanian Folk Song "My Beautiful Morea" (Piano Trio)

Thomas Simaku 's Albanian Folk Song "My Beautiful Morea" for Piano Trio. A4 score and parts.

Thomas Simaku: Albanian Folk Song "My Beautiful Morea" (Cello And Guitar)

Thomas Simaku 's Albanian Folk Song "My Beautiful Morea" for Cello and Guitar. Score and part.

Thomas Simaku: Albanian Folk Song "My Beautiful Morea" (Violin, Cello And Guitar)

Thomas Simaku 's Albanian Folk Song "My Beautiful Morea" for Violin, Cello and Guitar. Score and parts.

Thomas Simaku: Albanian Folk Song ‘My Beautiful Morea’ (Soprano Saxophone & Piano Version)

Thomas Simaku 's My Beautiful Morea is for Soprano Saxophone and Piano. Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song. The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. Duration: 4.30 minutes.

Thomas Simaku: Albanian Folk Song "My Beautiful Morea"' - Mezzo Soprano Version

' Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways.The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. ' - Thomas Simaku

Thomas Simaku: Albanian Folk Song ‘My Beautiful Morea’ (Flute & Piano Version)

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS

Thomas Simaku: Albanian Folk Song ‘My Beautiful Morea’ (Alto Flute & Piano Version)

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS

Thomas Simaku: Albanian Folk Song 'Moj E Bukara Moré' (My Beautiful Morea)

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the love for the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short. The melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS Duration: c. 4' 30''

Thomas Simaku: Albanian Folk Song "My Beautiful Morea"' - Clarinet In Bb Version (Score/Part)

' Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways.The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. ' - Thomas Simaku

Thomas Simaku: Albanian Folk Song "My Beautiful Morea"' - Bass Clarinet In Bb Version (Score/Part)

' Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways.The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. ' - Thomas Simaku

Elisabeth Lutyens: Mine Eyes, My Bread, My Spade Op.143 (Score)

For Baritone and String Quartet.Published in 1980.First performed by Ian Caddy, Delme String Quartet, Wigmore Hall, 22nd July 1981.Score.

Elisabeth Lutyens: Mine Eyes, My Bread, My Spade Op.143 (Parts)

For Baritone and String Quartet.Published in 1980.First performed by Ian Caddy, Delme String Quartet, Wigmore Hall, 22nd July 1981.Parts.

Afghanistan My Homeland : Watan Jan

David Lumsdaine: My Sister's Song

For solo Soprano.Published in 1974.Text from Tamil love poems.Commissioned by Camden Festival.First performance by Jane Manning, London 1975.Score.

Luís Tinoco: Evil Machines

A musical fantasy in two acts for twelve singers and Orchestra.Published in 2007.Test (in English) by Terry Jones.Commissioned by the Teatro Municipal de S.Luiz.First performance: Lisbon Metropolitan Orchestra, Teatro Municipal de S.Luiz, Lisboa, 12th January 2008.Score.

Sadie Harrison: Luna... For Nicola

This tiny piece was written as a response to hearing the premiere of Nicola LeFanu's momentous orchestral work The Crimson Bird on 17 February 2017. Nicola was my teacher and supervisor from 1986 to 1989, during my studies at King's College London. Although my formal study with her lasted just these three years, her influence on my creative life has been immense and invaluable, and continues to be felt in every piece I write. Luna ... is marked 'A starlit lullaby'. Its final notes, E and F, supply the letters of Nicola's surname missing from the title. The work was recorded by Philippa Harrison on Return of the Nightingales-Music for solo piano (Prima Facie 2017). -  Sadie Harrison

Luís Tinoco: The Delirium of My Desire

For Solo Flute.Commissioned by Remix Ensemble / Casa da MusicaFirst performance: Stéphanie Wagner, Strasbourg, 25 September 2006.Score.

Sadie Harrison: Molto Viola! (Score/Part)

Sadie Harrison's Molto Viola!  for Viola and Piano. Composers Note: This short sonata was written for my friend Kevin Bishop as thanks for his support of my music over several years during my Composer-in-Residency with the US ensemble Cuatro Puntos. The piece is light-hearted in tone and celebrates the versatility of the viola and Kevin’s virtuosity and heart. The movements are marked: I Molto moto! II Molto Cantabile (Josie’s Piece) III Molto scherzando IV Molto Brilliante!   Molto Viola! was premiered by Kevin Bishop and pianist Miguel Campinho at the Women Composers Festival of Hartford in Connecticut, USA, April 2018. DURATION: 10 minutes

Nigel Osborne: The Painters In My Garden (Score)

For Flute Trio.

Sadie Harrison: '..an angel reads my open book..' (version III)

Five pieces for voice, violin and piano

Sadie Harrison: '..an angel reads my open book..' (version I)

Four pieces for solo piano

Albanian Folk Song 'Moj a Bukura Moré' : My Beautiful Morea

Sadie Harrison: '..an angel reads my open book..' (version II)

Five pieces for violin and piano