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Freie Bearbeitungen 13 : II-13

Freie Bearbeitungen 13 : II-13

Series I of the complete edition, launched in 1970 (original two-hands piano works, volumes 1-18), was completed in 1985, and with the publication of this volume Series II (transcriptions of works by other composers, volumes 1-24) has come to an end. The works contained in this volume are from Liszt's so-called 'late' period. This publication is available in two versions: bound in blue linen, or in grey boards. Only the former version contains the descriptions of sources and the critical notes.Territorial restrictions may apply. Please ask before ordering.

SEK 1277.00
1

Technische Studien Band 3

Technische Studien Band 3

The first of the Supplement volumes to be iussed is Part 3 of the Technical Studies, the manuscript of which, after enduring many vicissitudes and lying hidden for decades, turned up in Weimar only in 1975, and appeared in print in 1983. The thematic index provides an overview of the entire material of all three volumes of the Technical Studies. This publication is available in two versions: bound in blue linen, or in grey boards. Only the former version contains the descriptions of sources and the critical notes.Territorial restrictions may apply. Please ask before ordering.

SEK 1277.00
1

Pacific Dreams

Pacific Dreams

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting "Pacific Dreams" Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of "Pacific Dreams", he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his "Pacific Dreams".Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

SEK 1852.00
1

Pacific Dreams

Pacific Dreams

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting "Pacific Dreams" Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of "Pacific Dreams", he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his "Pacific Dreams".Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

SEK 1128.00
1

AirTurn Quad 200 Foot Controller

AirTurn Quad 200 Foot Controller

Experience customized hands-free app control. Keep your hands on your task and take your practice and performance to a new level. • Turn pages, scroll lyrics and tabs • Customize DAW and MIDI control • Trigger backing tracks and effects • Cue audio and lighting • Advance slides for presentations The AirTurn QUAD 200 began over a decade ago as a simple page turner for sheet music readers. Today, it has become the best Bluetooth pedal on the market due to its high-quality and long-lasting design. Featuring tactile, silent switches, the QUAD 200 is nearly indestructible. The QUAD 200 has a longer battery life, greater range, and faster connectivity than its competitors. Plus, it is completely customizable for keystrokes, shortcuts, switching types, MIDI, and so much more! Key Features • Tough: The ATFS-2 pedals are nearly indestructible, and are designed to outlast mechanical switches. Anti-skid control on the base keeps the QUAD in place. • Silent: Tactile yet completely silent switching, perfect for intimate performances and studio sessions. Will outlast any other switch on the market. • Rechargeable: Lithium Polymer battery provides 150-200 hours of play time with a single charge. USB Micro Cable provided for charging with any USB charger. Can be also plugged into pedal boards with 9V power. • Bluetooth: At 150+ feet, AirTurn leads the industry with maximum operating range. Works with most tablets, phones and computers with Bluetooth 4 or higher. Windows computers must have the latest MIDI over Bluetooth features to support MIDI connection. • Status Indicators: Bluetooth status LED. Low battery status LED. • Power Saving: - Automatically turns off when the host tablet or computer is turned off. *The AirTurn QUAD 200 will not work with iPads 1 and 2 (Model numbers A1219, A1337 and A1395 - A1397). If the manufacturer of the tablet says it works with a Bluetooth 4.0 keyboard, it will work with the QUAD 200.

SEK 1690.00
1