10 resultat (0,17169 sekunder)

Visa alla filter

Märke

Visa alla

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

The Turing Test

The Turing Test

Alan Turing is considered the father of modern computational science and much, if not all, of our modern computer technology and the connectivity that we now take for granted is born of the work of this one great, but troubled man. His famous test was designed to prove whether artificial intelligence (AI) could successfully imitate human thought. The single movement of The Turing Test is essentially non-programmatic, but it does seek to show something of the emotion and colour of Turing’s life in its different sections. The composer employs bi-tonality and complex rhythms to show opposing worlds colliding. At the end of each test, we must decide: has true AI beenborn?

SEK 2298.00
1

Toccata Festiva

Toccata Festiva

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

SEK 2298.00
1

Toccata Festiva

Toccata Festiva

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

SEK 2298.00
1

Toccata Festiva

Toccata Festiva

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

SEK 2298.00
1

Tanczi : Three Russian Dances

Tanczi : Three Russian Dances

This suite was written in the style of traditional Russian folk music, but does not use existing melodies or themes as its basis. The colourful and varied work contains a number of surprising turns, but also familiar sounds. After the introduction, a kind of Trepak follows ? a fairly quick dance with attractive themes. The second movement (Garovot) is predominantly slow and conveys some melancholy, although, during a more dynamic passage the passion flares up again. Finally, the Troika takes us along in a reindeer sleigh through a grand snowy landscape. This is a wonderful tribute to the music of Eastern Europe in the style of some of the great Russian masters.

SEK 2119.00
1

Sinfonietta no. 1 : for wind orchestra

Sinfonietta no. 1 : for wind orchestra

Sinfonietta No. 1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra.Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with thesame fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.

SEK 3011.00
1

Nux MG-30 guitar-multieffekt-pedalboard

Nux MG-30 guitar-multieffekt-pedalboard

The MG-30 is the professional solution for the guitarist who wants a fantastic sound combined with loop function, drum machine and tuner. The MG-30 is equipped with a wide range of integrated effects, which include overdrive/distortion, amp simulation, I.R cabinet simulation, modulation, delays & reverbs. All together with a number of options within each effect category. The sound processing is based on the NUX TSAC algorithm, which enables the MG-30 to create ultra-realistic analog circuit simulation of some of the most used and popular effects that you can buy today. Effects and amp simulations are controlled by 2 powerful NXP RT 32-bit processors, which drive the MG-30's impressive 1024 sample IR sound resolution with an ultra-low latency of 2 ms, and a dynamic range of a whopping 110 dB. The NUX MG-30 gives you 30 amp simulations that you can choose from and customize. Among the 30 amplifier simulations, we find 25 of the most used and sought-after guitar amplifiers throughout the ages, i.a. various Marshall, Fender and Vox amps as well as Roland, Hiwatt, Soldano, Mesa Boogie and Friedman simulations. In addition, the MG-30 contains two acoustic amp simulations and three bass amp simulations. You customize the sound with eight different speaker cabinets, eight microphones and 3 different microphone positions. The effects are divided into 8 blocks, where you can choose between 5 different wah effects, 3 compressors, noise reduction, 12 distortion/overdrive, 4 equalizers, 13 modulation effects, 7 delay effects and 5 different reverbs. Added to that is the MG-30's extensive Looper function. 4 the cable method You can achieve a significant improvement in your guitar sound if you take care to separate delay/reverb and modulation effects from overdrive, distortion and compressor effects. Delay, reverb, chorus, flanger and other similar effects simply sound better if the effect signal is passed through the amplifier's effect loops, while distortion, compressor and boost effects sound better if they are placed first in the signal chain - before the signal enters the amplifier. By using the 4 cable method, the MG-30 makes it possible to place the distortion effects first in the signal chain, while the delay/reverb and modulation effects have their own output and input, so they can be integrated into your amp's effects loop where they belong. In this way, you get the opportunity to create the same type of signal routing that you would use in larger rack and studio effects setups. Multi-effects board with 30 amp simulations, looper Simulation of well-known effects, preamps and cabinets 51 effects, up to 8 simultaneously Guitar World's best new product 2021 Large 4" LCD screen gives you total control on stage The MG-30 also has a tuner, expression pedal, color display, tap function, etc Delivered incl. 9V power supply and NMP2 Dual Footswitch NUX Quick Tone editor for MAC/PC

SEK 3823.00
1

IK Multimedia ARC Studio

IK Multimedia ARC Studio

High-end digital processor til rumkorrektion. High-definition monitorering til alle Der er en grund til, at alle nutidens ypperste studiemonitorer leveres med aktiv DSP og rumkorrektion – det forbedrer ydeevnen og sikrer, at dine mix oversættes fejlfrit. ARC Studio tilbyder det samme massive løft i ydeevne og nøjagtighed til enhver monitor i ethvert studie! Step dit mix op Dit rum har stor indflydelse på, hvordan du hører din musik. Størrelsen, formen, materialerne og møblerne forvrænger frekvenser og stereobalancen, hvilket forringer din lytteevne. ARC Studio analyserer og retter disse problemer på få minutter. Din musik kommer i fokus med mere kontrolleret low-end, finere transientrespons og præcist stereobillede. Det er som en øjeblikkelig opgradering af dine monitors. Og når du kan stole på det, du hører, mixer du hurtigere og mere selvsikkert. Installeres på få minutter ARC Studio kombinerer den nye ARC 4 målesoftware, rumanalysemikrofon og stand-alone korrektionsprocessor i en pakkeløsning. Sæt mikrofonen i dit interface, og lad dig guide gennem opmåling af akustiske punkter omkring din lytteposition. IKs prisvindende ARC-teknologi bruger denne 3D-måling til at identificere og korrigere alle de rumproblemer, der forringer dine monitorers ydeevne. Korrektionsprofilen indlæses i ARC Studio-processoren som sidder mellem dit interface og dine monitorer og korrigere alle indgående signaler. Akustiske problemer reduceres kraftigt og lader dine monitors yde deres bedste, uanset prisklasse. Fra hyggemusiker til professionel Uanset om arbejdsgangen er in-the-box eller hardweare-baseret, giver ARC Studio professionelle studier mulighed for korrektion og tilpasset tuning til ethvert monitorsystem fra nearfield til mains, mens det aldrig kompromitterer på lydkvaliteten. Og for DAW-baserede hjemmestudier frigør ARC Studio dig fra besværet med at indsætte plug-ins på master-bussen og giver latency-fri monitorering, samt mulighed for at lytte til streamingtjenester og andre kilder med akustisk korrektiom, uden at skulle rode rundt med systemdrivere. Du kan oprette en profil for hver konfiguration, lytteposition og endda monitorpar. Uanset om du er i et interimistisk studie eller et i verdensklasse, har det aldrig været nemmere at finjustere dit monitormiljø til dine præferencer. Leveres med monitor-emuluringer ARC Studio inkluderer også en monitor-emuleringsfunktion, der omdanner dit monitorsystem til ikoniske studiemonitorer, populære hi-fi-højttalere og mobile enheder, med autentiske resultater ved nøjagtigt at gengive originalernes frekvens og faserespons. Med over 20 profiler inkluderet, giver et enkelt par monitors dig nu mulighed for at teste dit mix på forskellige referencesystemer hurtigt og nemt, uden nogensinde at skulle en tur ud i bilen! Specifikationer Kompakt digital rumkorrektionsprocessor Avanceret hi-end lydkonvertering Korrektion i fuldt frekvensspektrum til enhver form for lydproduktion Nul latency til monitorering i realtid i enhver opsætning Forbedrer selv ubehandlede eller interimistiske rum Ideel til alle studier, fra in-the-box til konsolbaseret Leveres med ARC målemikrofon og software Generer korrektionsprofiler på få minutter Skift sweet spot steder, feks. mellem mixposition og kunde-sofaen Test dit mix via X-MONITOR's virtuelle monitor- og real-life consumer-profiler Premium AD/DA konvertering, fuldstændig sonisk transparens 120 dB dynamisk område, ultralav THD og jitter Naturlig eller lineær fasekorrektion Indstil øvre/nedre frekvenskorrektionsgrænser Op til 9 target-kurver til finjustering af responsen i rummet   Pakken indeholder ARC Studio rumkorrektion DSP-processor ARC målemikrofon + mikrofonklemme ARC 4 software (downloades ved online registrering) USB-kabel Strømforsyning

SEK 3898.00
1

Goldberg 2012

Goldberg 2012

The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmøre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

SEK 5011.00
1

Maia Flight Baritone Solid Top Electro Acoustic Ukulele

Maia Flight Baritone Solid Top Electro Acoustic Ukulele

Now for something completely different from Flight: a steel string baritone ukulele…the Maia!  As a member of our Princess Series, the Maia features a solid mango top and laminate rosewood back and sides.  It also includes a gloss black headstock, scalloped cutaway, and binding.   You will love both the appearance and sound of the combination of mango and rosewood, and players will love the satin neck.  While the Maia could be thought of as a small tenor guitar, it is designed for standard baritone tuning (DGBE), which is known as Chicago Tuning for a Tenor Guitar.  With its steel strings and acoustic body, the Maia offers a sound that is different from any other ukulele in Flight’s catalog: the sound is bright and dynamic.  While the Maia is naturally a loud ukulele, it also includes an active Double C1U pickup if it needs to be amplified or recorder.  Are you ready to try a new experience in the world of ukulele?  If so, the Maia is for you! A classic gets a makeover Rosewood paired with solid mango We paired a solid mango top with laminate rosewood back and sides for a sound that is both deep, sweet and rich in the mid and lows and that provides clarity and projection on the high end. Let’s Play Rosewood fretboard and bridge Like many of our Princess Series ukuleles, the Maia Baritone features a chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies Rich and resonant tone Custom set of steel strings A unique offering in Flight’s catalog, the steel strings of the Maia create a different tonal experience with excellent projection and sustain.  The Maia is ideal for players seeking a brighter, more dynamic sound. Pitch perfect Bone compensated saddle and pin bridge The Maia features a real bone nut and a compensated saddle. Compensated saddles help to properly set the intonation of each string.  The pin bridge allows for quick and easy string changes. Turning heads Bold and striking headstock design The Maia features a gloss black headstock with the Flight logo, which matches the gloss black scallop and binding of the instrument.  The resulting look is both bold and classy. Tasteful Appointments Pearloid rosette and unique position markers The pearloid rosette offsets the natural colors of the mahogany top, offering a classic touch to the instrument.  The unique triangle fretboard markers make this baritone stand out from the pack. Side position markers are included for ease of reference for the player. Real temptation Stylish cutaway We adopted a gloss black scalloped cutaway for the Maia, a favorite feature of our Spirit, Mustang and Victoria models. This intelligent design allows for playing higher up the fretboard without the compromise on volume and tone which is caused by many full cutaways. The scalloped cutway also showcases the absolute craftsmanship and mastery of our luthiers. Small yet mighty Double C1U active pickup The controls for the active pickup are mounted underneath the sound hole, meaning that a cavity does not have to be created on the side of the ukulele for the pickup.  The Double C1U is easy to use, and sounds great! Ukuleles with the new active pickups include an “A” (for “Active”) as a part of their model number.⁠  For tips on how to use the Double C1 pickup, visit the FAQ section on our website! Only the best gig bag Royal burgundy All of our Princess Series ukuleles come with a luxury red gig bag with a purple infusion. This color has traditionally been associated with royalty, a fitting final touch of luxury with this instrument.  The bag features great features and 15mm padding which will protect your ukulele and make it comfortable to transport. Body Body Shape: Baritone (19 Frets) Top: Solid Mango Back & Side: Laminate Rosewood Bridge: Solid Rosewood Neck Neck: African Mahogany Fretboard: Rosewood Nut & Saddle: Bone Nut Width: 38mm Strings: Custom Steel Strings Other Position Markers: 5th, 7th, 10th, 12th and 15th fret. Premium Features: solid mango top, laminate rosewood back and sides, solid steel strings, gloss black headstock,  gloss black binding, pearloid rosette, Pinwell machine heads, rosewood fingerboard, pin bridge, and C1U double pickup. Deluxe 15mm padded gig bag, instructional booklet and sticker pack included!

SEK 4028.00
1