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The White Tower

The White Tower

The year is 1798 and thieves, robbers, and bandits prowl the countryside, wreaking havoc wherever they go and more often than not escaping without so much as a scratch. This was, however, not the case with a supposedly well-planned assault on the German town of Daaden, during which 20 long sought-after crooks from Germany, France, and Holland where captured. Otto M. Schwarz’ exciting musical montage lets people experience the planning, assault, and attempted retreat first hand!

SEK 3259.00
1

The White Tower

The White Tower

The year is 1798 and thieves, robbers, and bandits prowl the countryside, wreaking havoc wherever they go and more often than not escaping without so much as a scratch. This was, however, not the case with a supposedly well-planned assault on the German town of Daaden, during which 20 long sought-after crooks from Germany, France, and Holland where captured. Otto M. Schwarz’ exciting musical montage lets people experience the planning, assault, and attempted retreat first hand!

SEK 3259.00
1

Ostinati

Ostinati

It may be surprising to see a fanfare piece commissioned by a Japanese ensemble, since fanfare orchestras are typically found in Belgium, Holland and Luxembourg, and also France and Switzerland. Senzoku Gakuen is one of the largest and mostprestigious music universities in Japan, and home to a wide variety of ensembles and orchestras. Since 2006 they have had a fanfare orchestra, which was started by Sotaru Fukaishi, a euphonium teacher who felt further performance opportunity wasneeded for saxhorn instruments. Fukaishi had loved the sound of fanfare orchestras ever since visiting the World Music Contest in Kerkrade (Holland) several years earlier. Jan Van der Roost was involved with this new initiative from the beginning,and they were also joined by Manu Mellaerts for certain projects. The Dean of the music department, Professor Kazuo Tomioka, fully supports the ensemble and commissioned Ostinati. The première took place on June 11th at Maeda Hall inMizonokuchi (Kawasaki) where Senzoku Gakuen is based. The piece opens with an impressive timpani solo, followed by brass and saxophone. The rhythmical pulse remains constant and the music is fiery and assertive in character. A pentatonic melodygradually emerges and the music loses its vehemency and softens. The initial percussion ostinati subsequently recurs and the first section of the piece concludes in a similar mood to the opening. The second movement is sweet and melodic, opening witha long passage for the saxophone family in a minor key. The same theme then appears in the major and is developed upon; the music builds to a majestic orchestral forte, reminiscent of a pipe organ in its sonority. The theme returns in the originalminor key with a change in instrumentation leading the movement to a quiet and peaceful end on a soft E minor chord. The finale starts with percussion: a four-bar pattern is repeated several times over which the movement’s melodic themes areintroduced. These melodic elements are varied and used in different versions and the ostinato idea, which characterizes the entire piece, is highlighted. The theme travels through the orchestra, appearing on various instruments and in variousregisters. It captures the listener’s attention and displays the full range of sound and colour within the fanfare orchestra.

SEK 4746.00
1

Fanfare and Chorale

Fanfare and Chorale

This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of “interpretation”. As Ravel says- “What is there to interpret?” Ray Farr

SEK 2650.00
1

Gemini Concerto : for Trumpet, Euphonium and Band

Gemini Concerto : for Trumpet, Euphonium and Band

Gemini Concerto was commissioned by and written for Ryukoku University (Japan), André Henry and Shoichiro Hokazono. Set in three movements, the concerto aims to explore the close relationship, as solo instruments, between the trumpet and euphonium, exploiting the many common factors between the two as well as the subtly different characteristics they possess in terms of both lyrical and rhythmic playing. The first movement is a bustling toccata and the second movement is lyrical and improvisatory in nature. A fantastic piece and a great addition to the repertoire!Gemini Concerto was commissioned by and written for Ryukoku University (Japan), André Henry and Shoichiro Hokazono. Set in three movements, the concerto aims to explore the close relationship, as solo instruments, between the trumpet and euphonium, exploiting the many common factors between the two as well as the subtly different characteristics they possess in terms of both lyrical and rhythmic playing. The first movement is a bustling toccata and the second movement is lyrical and improvisatory in nature. A fantastic piece and a great addition to the repertoire!

SEK 2615.00
1

Motets and Hymns

Motets and Hymns

Faure Motets and Hymns / Messe de l'Association des pêcheurs de Villerville N 60a / Messe basse N 163 / Christmas Song Arrangements This volume of Gabriel Fauré's sacred music is divided into three parts: besides the motets and hymns (17 works), it contains the two well-known harmonisations of French Christmas carols and the two masses, the “Messe basse” (Low mass) of 1907 and the “Messe de l'association des pêcheurs de Villerville”. Also published for the first time is the original 1881 version of the “Messe de pêcheurs”. The genesis of the “Messe de l'association des pêcheurs”, which was composed in Villerville (Normandy) in collaboration with Fauré’s friend André Messager, is the central theme of the introductory text. In addition, Helga Schauerte-Maubouet focuses on the relationship between the characteristics of the choir organ at the church of La Madeleine as well as the composition and performance practice aspects of the motets. A first in this edition is the inclusion of the double bass part in the scores of some of these works. Although this part does not consequently appear in the musical text of the first editions of these motets, it is substantiated by the autographs from the Madeleine church archives. Its integration makes it possible to restore the practice that was common in this church during Fauré’s lifetime. By means of many other details, the new readings of the complete edition finally offer a reliable musical text of jewels such as the “Cantique de Jean Racine”. Urtext edition from the Gabriel Fauré. Œuvres complètes I/4

SEK 2838.00
1

Tales and Myths of Gothia

Tales and Myths of Gothia

Jerker Johansson has lived in Gothenburg, on the Swedish West Coast, since 1984, and is deeply interested in the history of the country. Gothia is the most southern part of Sweden, and Gothenburg, which was founded in 1621, is since many years an important centre for trade and shipping. Old paintings of the harbour with its gigantic sailing ships gave impulse to the heroic character of the piece. The opening fanfare is followed by a lively allegro, which eventually leads to a calm section, containing reminiscences of the fanfare. The cornets introduce a cantabile theme, and a dance reminding of the Renaissance precede a recapitulation of the allegro theme. Tales and Myths of Gothia was originally composed for concert band in 2017. The brass band version was premiered on 26 April 2019 during Oslo Brass festival by Uffes Blås Brassband, conducted by Andreas Kratz.

SEK 2130.00
1

Daphnis and Chloe : Symphonic Fragments - 2nd Suite

Daphnis and Chloe : Symphonic Fragments - 2nd Suite

Ravel's ballet, Daphnis and Chloé, was commissioned by Sergei Diaghilev and premiered with the Ballets Russes in Paris in 1912. The ballet is now rarely performed, but its Suite No. 2 remains popular. It consists of three movements, Lever du jour, Pantomime and Danse générale, that are played without interruption. Tohru Takahashi makes no compromises in his transcription, which calls for at least 60 musicians and an optional mixed chorus!

SEK 4598.00
1

Spotlights : for Saxophone Quartet and Concert Band

Spotlights : for Saxophone Quartet and Concert Band

Spotlights is a fantastic virtuoso piece for saxophone quartet (SATB) and concert band that was commissioned by the outstanding Austrian saxophone quartet Mobilis. It is an impressive and exceptionally spectacular piece in which every member of the saxophone family is featured. The most important ingredients of this solo work are virtuosity, rhythm and a good dollop of funk. It is a challenging, but rewarding piece for your saxophone soloists and yet very accessible to the audience.

SEK 2496.00
1

Walt Disney's Snow White and the Seven Dwarfs : Master Score

Walt Disney's Snow White and the Seven Dwarfs : Master Score

Bluddle Uddle Um Dum (The Washing Song) (from Walt Disney's SNOW WHITE AND THE SEVEN DWARFS)The Dwarfs' Yodel Song (Silly Song) (from Walt Disney's SNOW WHITE AND THE SEVEN DWARFS)Heigh-Ho (The Dwarfs' Marching Song from SNOW WHITE AND THE SEVEN DWARFS)I'm Wishing (from SNOW WHITE AND THE SEVEN DWARFS)One Song (from SNOW WHITE AND THE SEVEN DWARFS)Some Day My Prince Will Come (from SNOW WHITE AND THE SEVEN DWARFS)Whistle While You Work (from SNOW WHITE AND THE SEVEN DWARFS)With A Smile And A Song (from SNOW WHITE AND THE SEVEN DWARFS)

SEK 3891.00
1