Joan Tower: Silver Ladders (Score)

Work for Orchestra composed in 1986.

Jouni Kaipainen: Ladders To Fire Op. 14 - Score

Speedoo

Show some attitude with this 1956 pop hit by the Cadillacs! This uptempo classic from the golden age of doo-wop makes a perfect selection for some fancy footwork! Available separately: TBB, ShowTrax CD. Duration: ca. 2:30.

Stepping Stones

Contents: First performance · Two by Two · Snakes and Ladders · Stepping Stones · Waltz · Roundabout · Lighthouse · A Restful Tune · Ice-cream Van · Hiding in the Long Grass · Buttercups and Daisies · Musical Box · At a Snail'sPace · Kangaroo · Party Piece · Apple Tree · Cowboys and Indians · Caterpillars · Hobby Horses · Sea Horses · Circus Elephants · On a High Wire · Cockle Shells · Totem Pole · See-Saw · Oom-pah Band.

Stepping Stones

Contents: First performance · Two by Two · Snakes and Ladders · Stepping Stones · Waltz · Roundabout · Lighthouse · A Restful Tune · Ice-cream Van · Hiding in the Long Grass · Buttercups and Daisies · Musical Box · At a Snail'sPace · Kangaroo · Party Piece · Apple Tree · Cowboys and Indians · Caterpillars · Hobby Horses · Sea Horses · Circus Elephants · On a High Wire · Cockle Shells · Totem Pole · See-Saw · Oom-pah Band.

Stepping Stones

Contents: First performance · Two by Two · Snakes and Ladders · Stepping Stones · Waltz · Roundabout · Lighthouse · A Restful Tune · Ice-cream Van · Hiding in the Long Grass · Buttercups and Daisies · Musical Box · At a Snail'sPace · Kangaroo · Party Piece · Apple Tree · Cowboys and Indians · Caterpillars · Hobby Horses · Sea Horses · Circus Elephants · On a High Wire · Cockle Shells · Totem Pole · See-Saw · Oom-pah Band.

Pat Torpey: Big Drums

Pat Torpey, the solid hard-rock drummer from Mr. Big, explains the development of his style and techniques through four chapters of exercises, including a spectacular nine-minute drum solo. He also performs and discusses seven Mr. Big songs, explaining his secrets and tricks. Topics covered include paradiddles, grace notes, drum solos, hi-hat work, and basic and double-bass footwork. Features a special performance with Billy Sheehan on bass, and a printable lesson booklet on disc. 1 hour, 6 minutes.

Albeniz: Asturias (leyenda) De Suite Espanola Op.47 No.5

Asturias has become one of the most important works of the classical Guitar repertoire, however it was originally written – and is published here – for the solo Piano. Despite its misleading title, which refers to the northern Spanish region of Asturias and was given to it posthumously by the German publisher Hofmeister, this virtuoso piece is pure Andalusian flamenco. The main theme mimics the Guitar technique of alternating the thumb and fingers of the right hand, while the ‘marcato’/'staccato’ markings suggest the footwork of a flamenco dancer. Another flamenco style, the malagueña, is detectable in the middle section. After a short return to the theme, the piece concludes in a slow “hymn-like” passage. Noted for the delicate, intricate melody of its middle section and abrupt dynamic changes, this challenging piece is a favourite of pianists and audiences alike.

Albeniz Asturias Preludio (maravilla) Guitar

Albeniz 's  Asturias  has become one of the most important works of the classical Guitar repertoire, however it was originally written for for the solo Piano. Despite its misleading title, which refers to the northern Spanish region of Asturias and was given to it posthumously by the German publisher Hofmeister, this virtuoso piece is pure Andalusian flamenco. The main theme mimics the Guitar technique of alternating the thumb and fingers of the right hand, while the ‘marcato’/'staccato’ markings suggest the footwork of a flamenco dancer.Another flamenco style, the malagueña, is detectable in the middle section.After a short return to the theme, the piece concludes in a slow “hymn-like”passage. Noted for the delicate, intricate melody of its middle section and abrupt dynamic changes, this challenging piece is a favourite, welcome by musicians and audiences alike!