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Clairefontaine Paint On Multi-Techniques Black

Clairefontaine Paint On Multi-Techniques Black

Clairefontaine Paint On Multi-Techniques Noir contains black pages and can be used for a variety of materials and techniques. In fact, it is suitable for everything from fine liners to watercolour and acrylic paints. The paper in this pad from Clairefontaine is strong, thick and has good absorbency. The paper has a smooth texture and is acid-free and its deep black colour lends itself to creating huge contrast. Clairefontaine Paint On Multi-Techniques Noir is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

SEK 75.00
1

Burnt Rose Dark

Burnt Rose Dark

Color: Burnt Rose DarkPermanence: AAOpacity: OpaquePigment: PBk11, PBr7Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 95.00
1

125ml

125ml

Color: Mars Black Permanence: AAOpacity: OpaquePigment: PBk11Pigment description: Synthetic Black Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic InorganicColor Index Number: 77499Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 68.00
1

Flesh Tint

Flesh Tint

Colour: Flesh TintPermanence: AAOpacity: OpaquePigment: PW6, PO20, PR108Pigment description: Rutile Titanium Dioxide, Cadmium SulphoselenideASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 95.00
1

Vandyke Brown

Vandyke Brown

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

SEK 76.00
1

Canson Drawing Pad 1557

Canson Drawing Pad 1557

CANSON 1557 drawing paper This dazzling white drawing paper is designed to bring out contrast and make colours pop. The paper is acid-free, 100% alpha cellulose and contains no wood fibres. The name, "1557", pays tribute to the year the Montgolfier family founded Canson. This great classic is preferred by artists, professional and amateur alike, who appreciate the paper's light grain. Indeed, beneath its simple surface lies a sophisticated and technical drawing paper. The paper's grain is neither too smooth nor too prominent, giving it a natural and subtle surface that is ideal for sketching and drawing with dry media. Canson 1557 paper is particularly suitable for use with all types of graphite, as it retains pigments easily and allows infinite shading and gradual colour transitions. Canson 1557 is manufactured in such a way that, through special chemical treatments, the pulp and the surface of the paper achieve a surprising resistance to repeated eraser use. Canson 1557 drawing pad The pad is available in A5, A4 and A3 sizes, printed on either 120 or 180 gram paper and with a variety of sheet counts, so you can buy exactly the version of Canson Drawing Pad 1557that suits your needs. See our full range of drawing paper here Read more about Canson here See which products we recommend for your 1557 drawing pad

SEK 90.00
1

28ml

28ml

36 brilliant colours including aromatic colours and 12 very opaque colours called TOTAL COVER. - 24 exceptional effect colours with unique colour effects (AERO SHINE, AERO PEARL AERO METALLIC and AERO VISION) - Airbrush colours as well as liquid acrylic ink suitable for many mixed media techniques, brushes and calligraphy. - Unique opaque white - SUPRA-white - 3 primary colours for a perfect mixing result; primary yellow, primary magenta and primary cyan - Highest possible light fastness (4-5 stars) - Impressive adhesion on many surfaces - Dries up with a satin matt gloss and are waterproof when dry. - 28 ml bottles with pipette in the lid AERO COLOR professional stands for ideal working properties. AERO COLOR Professional colours have a pleasant smell, are easy to use, and can be used on most grease-free surfaces. All colours are ready to use. Due to their fine pigmentation, the colours can be used both pure, or diluted with AERO MEDIUM or water. All colours come in 28 ml bottles. AERO COLOR Professional adheres particularly well to all types of paper and cardboard, as well as the usual non-absorbent surfaces such as film, hard plastics, and - after the right pre-treatment - metal. The colours are easy to mask and suitable for graphic design and special airbrush techniques. AERO COLOR Professional dries to a semi-matte sheen and is water-resistant.

SEK 88.00
1

Schmincke Horadam 1/1 pan titanium gold ochre

Schmincke Horadam 1/1 pan titanium gold ochre

HORADAM The AQUARELL watercolor paint range consists of 110 different colors. 68 of these are made with just one pigment, making them ideal for professional use and for mixing new colors. Many of the new artist pigments have been researched and tested to achieve the highest quality in terms of stability, fineness, resolution and lightfastness. To achieve the amazing characteristics, such as reusable paint after it dries on the palette, and the control of paint even on soft watercolor paper, Schmincke uses only the best raw materials. In its colorful appearance, the entire range of watercolor paints is particularly harmonious, balanced and complete.

SEK 86.00
1

Ciao

Ciao

Gray with a touch of blue-purple. Copic Classic: The model with the longest history, used mainly in design and art scenes. With a total of 214 colours, it has wide tips and fine nibs that are ideal for design applications Solid traction There are two types of tips, wide tips and fine tips. Fine nibs are handy for detailed drawing, and wide nibs are characterized by being slightly larger than Copic sketches and Chao nibs. Copic Classic has a series of 214 colours specialised in design applications. The main body is square, and the cap has a color label with a color number and color name printed on it. Copic Ciao: Copic's entry-level model that makes you love drawing more. It's an entry model that uses less ink than Copic sketches and carefully selects 180 colors to make it easier to pick up. Like the Copic sketch, there are two types of nibs, superbrush and medium wide. Specifications that are easy to draw There are two types of nibs, superbrush and medium wide, which have the same specifications as the Copic sketch. The main body is circular and the cap has a safety cap structure to prevent accidental ingestion. All 180 colours to enjoy colour choice Copic Chao has a range of 180 colours from all 358 colours in the range. Even those picking it up for the first time can enjoy intuitive colour selection.

SEK 58.00
1

Ciao

Ciao

Slightly whitish pink which reminds the petals of cherry blossom. Copic Classic: The model with the longest history, used mainly in the design and art scenes. With a total of 214 colours, it has wide tips and fine nibs that are ideal for design applications Solid traction There are two types of tips, wide tips and fine tips. Fine nibs are handy for detailed drawing, and wide nibs are characterized by being slightly larger than Copic sketches and Chao nibs. Copic Classic has a series of 214 colours specialised in design applications. The main body is square, and the cap has a color label with a color number and color name printed on it. Copic Ciao: Copic's entry-level model that makes you love drawing more. It's an entry model that uses less ink than Copic sketches and carefully selects 180 colors to make it easier to pick up. Like the Copic sketch, there are two types of nibs, superbrush and medium wide. Specifications that are easy to draw There are two types of nibs, superbrush and medium wide, which have the same specifications as the Copic sketch. The main body is circular and the cap has a safety cap structure to prevent accidental ingestion. All 180 colours to enjoy colour choice Copic Chao has a range of 180 colours from all 358 colours in the range. Even those picking it up for the first time can enjoy intuitive colour selection.

SEK 52.00
1

AMSTERDAM RELIEF PAINT - Lead Gray

AMSTERDAM RELIEF PAINT - Lead Gray

20ml Amsterdam relief paint is a great tool for creating clearly visible raised lines. Use it to apply 3D effects to your work or to add your signature as the perfect finishing touch to your work. Made with high-quality, lightfast pigmentsOdorless, water-based formula that becomes waterproof and permanent when dryAvailable in 15 colorsPrecise dispensing nozzle for sharp 3D linesEasy to use and adheres to both absorbent and non-absorbent surfaces such as paper, cardboard, wood, stone, plaster, ceramic, glass and Plexiglas.

SEK 72.00
1