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Hooker's Green

Hooker's Green

Color: Hooker's GreenPermanence: AAOpacity: OpaquePigment: PY42, PG7Pigment description: Synthetic Iron Oxide, Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 115.00
1

Burnt Rose Dark

Burnt Rose Dark

Color: Burnt Rose DarkPermanence: AAOpacity: OpaquePigment: PBk11, PBr7Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

125ml

125ml

Color: Mars Black Permanence: AAOpacity: OpaquePigment: PBk11Pigment description: Synthetic Black Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic InorganicColor Index Number: 77499Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 67.00
1

Flesh Tint

Flesh Tint

Colour: Flesh TintPermanence: AAOpacity: OpaquePigment: PW6, PO20, PR108Pigment description: Rutile Titanium Dioxide, Cadmium SulphoselenideASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

Fluorescent Magenta

Fluorescent Magenta

Colour: Fluorescent MagentaPermanence: BOpacity: Semi-transparentPigment: FluoPigment description: Fluorescent MagentaASTM Rating Ligthfastness: -Pigment classification: -Color Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 151.00
1

Quinacridone Burnt Orange

Quinacridone Burnt Orange

Colour: Quinacridone Burnt OrangePermanence: AAOpacity: Semi-transparentPigment: PR206Pigment description: QuinacridoneASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 73900 / 73920Viscosity range (mPa.s): 800 - 1.500 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 195.00
1

Naphthol Crimson

Naphthol Crimson

Colour: Naphthol CrimsomPermanence: AOpacity: OpaquePigment: PR146Pigmentdescription: NaphtholASTMRating Ligthfastness: -Pigment classification: Synthetic OrganicColorIndex Number: 12485Viscosityrange (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 49.00
1

Hansa Yellow

Hansa Yellow

Colour: Hansa YellowPermanence: AOpacity: Semi-transparentPigment: PY3Pigmentdescription: Arylide YellowASTMRating Ligthfastness: IIPigmentclassification: Synthetic organicColorIndex Number: 11710Viscosityrange (mPa.s): 800 - 1.500 Colour IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 115.00
1

Transoxide Red

Transoxide Red

Colour: Transoxide RedPermanence: AAOpacity: TransparentPigment: PR101Pigmentdescription: Synthetic Red Iron OxideASTMRating Ligthfastness: IPigment classification: Synthetic inorganicColorIndex Number: 77491Viscosityrange (mPa.s): 800 - 1.500 Colour IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 115.00
1

Unbleached Titanium

Unbleached Titanium

Color: Unbleached TitaniumPermanence: AAOpacity: OpaquePigment: PW6Pigment description: Rutile Titanium Dioxide (Untreated)ASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77891Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

Mars Violet

Mars Violet

Colour: Mars VioletPermanence: AAOpacity: OpaquePigment: PR101, PBk11Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

Burnt Umber

Burnt Umber

Colour: Burnt UmberPermanence: AAOpacity: OpaquePigment: PY42, PR101, PBk7Pigment description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous CarbonASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 49.00
1

Narrow Hue

Narrow Hue

Transparent colour originally made from ground cobalt glass and used in 16th and 17th century European paintings in place of Ultramarine. Historically Smalt loses color over time, but this modern formula offers a classic deep blue that is permanent. Pigment Classification: MixtureColorIndex Name: PB29 / PV23 / PBk7ColorIndex Number: 77007 / 51319 / 77266ChemicalDescription: Polysulfide of Sodium-Alumino-Silicate / Carbazole Dioxazine / Nearly Pure Amorphous CarbonOpacity/Transparency: TransparentLightfastnessRating: 2Permanency: Very GoodMunsellNotation Listing: Hue 5.0 P Value 2. Chroma 2GlossAverage: 21.39ViscosityRange: 20000-27000 CPSCIEL*a*b* Values: L*25.69 a*3.69 b*-14.17TintStrength: 88.69

SEK 129.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 82.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 82.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 82.00
1

35g

35g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 131.00
1

160g

160g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 284.00
1