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Pantone Farnsworth-Munsell Dichotomodus D15 Test

Pantone Farnsworth Munsell Scoring Software

Epson WorkForce ES-500WII skanner

Epson WorkForce ES-580W skanner

Huion Kamvas 13 gen3 (Utan stativ)

Huion Kamvas 13 gen3 (Utan stativ)

#tabs1 > ul > li:first-child {margin:0;width:100%} Where Art Starts - Kamvas 13 (Gen 3) Kamvas 13 (Gen 3) bygger vidare på den framgångsrika Kamvas 13 genom att förbättra skärmens färgåtergivning, uppgradera pennteknologi och förbättra anslutningsstabilitet. Med sina omfattande funktioner och fortsatt rimliga pris är Kamvas 13 (Gen 3) ett förstahandsval för nybörjarkonstnärer som söker en högkvalitativ ritplatta. Produktvideo Utseende- Lätt att bära, byggd för att hålla. Den totala storleken på Kamvas 13 (Gen 3) har reducerats med 8% jämfört med sin föregångare, och vikten har minskat till 865g, vilket gör den lätt att bära i väskan. Det hållbara bakstycket erbjuder överlägset skydd, så att du kan ta den med vart du än går. - 13,3-tums skärm - FHD-upplösning (1920 x 1080) Färgpresentation Det första steget i teckning, den vackra färgen. Kamvas 13 (Gen 3) har en högkvalitativ skärm som täcker 99% av sRGB och Rec.709 färgomfång, samt 90% av Adobe RGB färgomfång. Den exakta färgåtergivningen säkerställer att de färger som visas på skärmen nära matchar dina originalillustrationer, serier, animationer och andra konstverk. - 99% sRGB - Färgomfångstäckning - 99% Rec.709 Färgomfångstäckning - 90% Adobe RGB Färgomfångstäckning - 16,7 Miljoner Displayfärger Helt Ny Canvasglas Ytmaterialet på Kamvas 13 (Gen 3) har uppgraderats till Huions senaste antireflex Canvasglas, vilket ger ökad hållbarhet jämfört med antireflexfilmen på Kamvas 13. Det helt nya Canvasglaset använder nanoetsningsteknik som utvecklar allmänt antireflex med antiskimmer, vilket effektivt minskar irriterande bildbrus på en vit bakgrund. Det ger också en bättre papperstextur för att matcha full-laminering för bättre inlevelse vid skapande. PenTech 4.0 - Fångar varje lätt tryck. Förutom utseendet, ger den nya PenTech 4.0 också 2g initial aktiveringskraft för att säkerställa det perfekta strecket när man ritar linjer lätt. Och den fint justerade tryckkurvan visar perfekt 16K tryckkänslighet från lätt till djärv. Även tunnare spets och tilt-auto-inriktning kan hjälpa dig att bättre följa musen och minska parallax! 16384 Nivåer - Tryckkänslighet 2g - Initial Aktiveringskraft 0,35mm - Retraherat Avstånd Tunnare - Pennspets

SEK 2925.00
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Calibrite ColorChecker Digital SG

Calibrite ColorChecker Digital SG

Obtain the widest colour gamut available! Nothing optimizes the power of your digital camera like the ColorChecker Digital SG (semi-gloss). It’s the original ColorChecker target, enhanced for digital photography. The ColorChecker Digital SG comes in the same size as the Classic – 215.9 x 279.4mm and can be used for a variety of applications, including: Digital Photography: Check images, correct white balance and perform extensive colour analysis for correction Film Photography: Check films, lights, filters and paper Graphic Arts: Check any printing or proofing process Scanner Profiling: Create custom ICC scanner profiles (with compatible software) Specifically designed to meet the needs of digital photographers, the Digital ColorChecker SG target includes the highest quality colour reference standards available. Each of the 140 patches was chosen for its location in colour space to expand the colour gamut, so you can create profiles that capture the full capabilities of your digital camera and scanner. The ColorChecker Digital SG target includes the colours from the standard ColorChecker target, many of which represent natural objects, such as human skin tone, foliage and blue sky. Additional skin-tone reference colours deliver greater accuracy and consistency over a wide variety of skin tones, and gray scale steps provide accurate control of camera balance to maintain a neutral aspect, regardless of light source. Digital ColorChecker SG can also be used to create a white balance with your digital camera to guarantee precise, uniform, neutral white under any lighting condition. ColorChecker Digital SG provides the same great value as the ColorChecker Classic to compare digital reproductions to real life scenes or test targets. The ColorChecker Digital SG takes a step beyond the traditional ColorChecker by representing a larger gamut and providing greater refinement of individual colours. Simply include ColorChecker Digital SG in your first photo if you’re shooting JPEG or traditional, or any photo in the series if you’re shooting RAW. Later, in the studio, use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. This objective standard will help you avoid costly mistakes and trial-and-error colour correction after the fact. 3rd Party Software Support: Hasselblad Phocus for ICC camera profiling Phase One ICC

SEK 4941.25
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Calibrite ColorChecker Video XL

Calibrite ColorChecker Video XL

The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 5066.25
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